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Downloaded from
YTS.BZ

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Official YIFY movies site:
YTS.BZ

3
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* Well maybe we won't be
forgiven *

4
00:00:54,400 --> 00:00:57,300
* For all the things
we've said and done *

5
00:00:59,333 --> 00:01:03,900
* But don't you ever give up
or give in *

6
00:01:03,933 --> 00:01:07,633
* 'Cause you know
the show must go on *

7
00:01:10,767 --> 00:01:13,933
* And don't believe them
if they tell you *

8
00:01:16,267 --> 00:01:20,933
* Where you're from is
where you belong *

9
00:01:20,967 --> 00:01:24,233
* Just get up off your knees
and say *

10
00:01:24,267 --> 00:01:26,767
"Fuck you, I'm on my way"

11
00:01:26,800 --> 00:01:32,200
* The show must go on *

12
00:01:39,500 --> 00:01:40,967
(woman)
Emerson, are you there?

13
00:01:41,067 --> 00:01:42,600
(phone line ringing)
Pick up!

14
00:01:42,633 --> 00:01:43,733
(recorded operator's voice)
The party you are calling

15
00:01:43,767 --> 00:01:45,933
is not receiving calls
at this time.

16
00:01:45,967 --> 00:01:48,267
Son of a bitch.

17
00:01:48,300 --> 00:01:51,400
(dialing)

18
00:01:51,433 --> 00:01:53,067
(phone line ringing)

19
00:01:53,100 --> 00:01:55,100
(man)
Hi, it's Emerson.
Please leave a short message.

20
00:01:55,133 --> 00:01:56,767
(beep)
Emerson, hi.

21
00:01:56,800 --> 00:01:58,133
It's Didi, sweetheart.

22
00:01:58,167 --> 00:01:59,433
Um, you were supposed
to meet me here

23
00:01:59,467 --> 00:02:01,833
about half an hour ago
at Frankie and Johnny's.

24
00:02:01,867 --> 00:02:04,733
So just give me a call

25
00:02:04,767 --> 00:02:07,867
and let me know when you're
gonna to be here, okay?

26
00:02:07,900 --> 00:02:10,300
Okay, bye-bye.

27
00:02:13,433 --> 00:02:16,233
Oh, excuse me.
Excuse me, ma'am?

28
00:02:16,267 --> 00:02:17,567
Oh, thanks.

29
00:02:17,600 --> 00:02:19,967
Yeah, you're welcome.

30
00:02:20,067 --> 00:02:24,100
(cell phone ringtone playing)

31
00:02:24,133 --> 00:02:25,933
(man)
Hello, this
is Harris Chappell.

32
00:02:25,967 --> 00:02:26,933
(man, on phone)
Hey, Chappell!

33
00:02:26,967 --> 00:02:28,167
Wolfie.

34
00:02:28,200 --> 00:02:29,167
(knocking)
Here we go, here we go!

35
00:02:29,200 --> 00:02:30,667
You've done it, Harris!

36
00:02:30,700 --> 00:02:32,367
And you're going to make
the big announcement tonight?

37
00:02:32,400 --> 00:02:34,467
Yes.

38
00:02:34,500 --> 00:02:36,800
I'm just pulling up
to the restaurant now.

39
00:02:36,833 --> 00:02:38,200
And you've got
the financing, right?

40
00:02:38,233 --> 00:02:40,500
Yeah, I'm meeting Didi
and the money guy, Monte Sobel.

41
00:02:40,533 --> 00:02:41,933
He's financing the whole play.

42
00:02:41,967 --> 00:02:43,067
How's "The Moon's a Balloon."

43
00:02:43,067 --> 00:02:44,267
It's was just okay.

44
00:02:44,300 --> 00:02:46,800
You know I loathe the great
American musical.

45
00:02:46,833 --> 00:02:47,800
You hate 'em!
(chuckles)

46
00:02:47,833 --> 00:02:49,067
Back on Broadway, baby!

47
00:02:49,067 --> 00:02:50,133
Well, thank you.

48
00:02:50,167 --> 00:02:52,100
It's lovely being
back in New York.

49
00:02:52,133 --> 00:02:54,467
Maybe after this meeting,
I'll be able to afford it.

50
00:02:54,500 --> 00:02:56,100
All right.

51
00:02:56,133 --> 00:02:58,333
Here you go.

52
00:02:58,367 --> 00:02:59,433
Um, keep the change,
I guess.

53
00:02:59,467 --> 00:03:02,433
Oh, great--
thanks, man.

54
00:03:02,467 --> 00:03:05,400
I forgot how gorgeous
you are.

55
00:03:08,167 --> 00:03:13,100
You are gorgeous when
you're grabbing the hook.

56
00:03:13,133 --> 00:03:15,267
I haven't seen you since you
cast me in that horrible

57
00:03:15,300 --> 00:03:17,433
Bart Liebowitz
nightmare movie.

58
00:03:17,467 --> 00:03:18,967
Sorry, I'll never
forgive myself,

59
00:03:19,067 --> 00:03:20,767
especially since the stupid
studio put it into turnaround.

60
00:03:20,800 --> 00:03:22,067
Oh, no.

61
00:03:22,067 --> 00:03:24,067
It was that Bart Liebowitz,
producer from Hell.

62
00:03:24,067 --> 00:03:25,333
But you know what, darling?

63
00:03:25,367 --> 00:03:26,767
It doesn't matter--
we're still standing.

64
00:03:26,800 --> 00:03:28,233
We are.

65
00:03:28,267 --> 00:03:30,133
This play is--
it's a masterpiece.

66
00:03:30,167 --> 00:03:32,133
Oh, this play is going to
put you back on top.

67
00:03:32,167 --> 00:03:34,067
You will soon be king,
Prince Hal.

68
00:03:34,067 --> 00:03:35,067
Oh, yes.

69
00:03:35,100 --> 00:03:36,333
I know you all,

70
00:03:36,367 --> 00:03:38,700
and will something
something abide

71
00:03:38,733 --> 00:03:40,067
the something
of your idleness.

72
00:03:40,100 --> 00:03:41,667
The idleness.

73
00:03:41,700 --> 00:03:43,133
Where's Monte?

74
00:03:43,167 --> 00:03:44,633
Um...

75
00:03:44,667 --> 00:03:47,800
Monte's not coming,
honey.

76
00:03:47,833 --> 00:03:48,867
What?
Yeah.

77
00:03:48,900 --> 00:03:50,600
He found me in bed

78
00:03:50,633 --> 00:03:52,300
with another man and, uh,

79
00:03:52,333 --> 00:03:54,433
he's not going to
be back in the play.

80
00:03:54,467 --> 00:03:56,467
I'm going to strangle
you right here--

81
00:03:56,500 --> 00:03:58,400
No, no, no,
I have you covered, darling.

82
00:03:58,433 --> 00:03:59,667
What do you mean
you have me covered?

83
00:03:59,700 --> 00:04:02,333
Emerson Todd,
more money than God.

84
00:04:02,367 --> 00:04:05,067
It had better be, because
I'm in a terrible position.

85
00:04:05,067 --> 00:04:07,400
He is going to make Monte...

86
00:04:07,433 --> 00:04:09,333
He's a much better angel
than Monte would ever be.

87
00:04:09,367 --> 00:04:10,867
Let's go inside,
I'm freezing.

88
00:04:10,900 --> 00:04:12,500
Come on.
Excuse me...

89
00:04:12,533 --> 00:04:14,133
No, no, I don't have
any change.

90
00:04:14,167 --> 00:04:15,867
Oh, poor thing
looks hungry.

91
00:04:15,900 --> 00:04:16,967
Well, it's New York.

92
00:04:17,067 --> 00:04:20,067
We're all hungry.

93
00:04:20,067 --> 00:04:23,900
(music playing)

94
00:04:29,967 --> 00:04:31,500
(woman)
Can I have the sirloin, medium?

95
00:04:31,533 --> 00:04:35,200
(second woman)
Really good, really good....

96
00:04:35,233 --> 00:04:36,533
(phone rings)

97
00:04:36,567 --> 00:04:37,600
(man)
Hey, yeah.

98
00:04:37,633 --> 00:04:38,967
Look, I'm at Frankie
and Johnny's.

99
00:04:39,067 --> 00:04:40,733
There he is.

100
00:04:40,767 --> 00:04:42,900
Ah, Mr. Chappell,
my old friend, how are you?

101
00:04:42,933 --> 00:04:44,100
Good to see you--
you look wonderful.

102
00:04:44,133 --> 00:04:45,100
Thank you very much.

103
00:04:45,133 --> 00:04:47,067
Hi there.
Ah, Didi.

104
00:04:47,067 --> 00:04:49,067
Good to see you again.

105
00:04:49,100 --> 00:04:50,100
You look beautiful,
as always.

106
00:04:50,133 --> 00:04:53,867
Oh, stop.
Good to see you again.

107
00:04:53,900 --> 00:04:55,633
These people don't know
who you are.

108
00:04:55,667 --> 00:04:58,067
I know, it just makes me
feel good pretending they do.

109
00:04:58,067 --> 00:04:59,567
Where's Mike?

110
00:04:59,600 --> 00:05:01,833
Very good.

111
00:05:05,533 --> 00:05:07,633
Who's that?

112
00:05:07,667 --> 00:05:08,767
(woman)
My God.

113
00:05:08,800 --> 00:05:09,900
(man)
You know him?

114
00:05:09,933 --> 00:05:12,267
Ricardo, I know everybody.

115
00:05:12,300 --> 00:05:16,600
But that, my friend,
is Harris Chappell.

116
00:05:16,633 --> 00:05:17,833
(man)
His table's not ready.

117
00:05:17,867 --> 00:05:19,333
He didn't make
a reservation.

118
00:05:19,367 --> 00:05:20,400
Oh, all right.

119
00:05:20,433 --> 00:05:22,633
Hey, how are you?

120
00:05:22,667 --> 00:05:26,133
Let's get you folks checked.

121
00:05:26,167 --> 00:05:27,133
Is there a problem?
No, no, no.

122
00:05:29,400 --> 00:05:32,067
(man)
You go to school with these
guys, you think you know them,

123
00:05:32,067 --> 00:05:33,833
and look what happens.

124
00:05:33,867 --> 00:05:36,167
Mr. Carver,
everything okay?

125
00:05:36,200 --> 00:05:37,800
I gotta go.
I'm out of this--

126
00:05:37,833 --> 00:05:39,333
I'm going to have to
get out of here.

127
00:05:39,367 --> 00:05:40,667
Hello.

128
00:05:40,700 --> 00:05:41,967
(phone rings)

129
00:05:42,067 --> 00:05:44,467
Um, your pocket's ringing.

130
00:05:44,500 --> 00:05:48,067
Well, someone's pocket
better be ringing.

131
00:05:48,100 --> 00:05:51,833
You're about to be
a very happy man.

132
00:05:51,867 --> 00:05:55,567
I have to take this.

133
00:05:55,600 --> 00:05:56,567
You okay for time?

134
00:05:56,600 --> 00:05:57,800
My battery's running out.

135
00:05:57,833 --> 00:05:58,800
Don't worry about it.

136
00:05:58,833 --> 00:05:59,800
Don't worry about it.

137
00:05:59,833 --> 00:06:04,633
May I take your coat?

138
00:06:04,667 --> 00:06:06,567
Emerson, what is
the problem?

139
00:06:06,600 --> 00:06:08,067
I need you down here now!

140
00:06:08,100 --> 00:06:10,167
How we doing, Peter?

141
00:06:10,200 --> 00:06:11,867
It'll just be a few minutes.

142
00:06:11,900 --> 00:06:13,700
Look, I know even though
you've made your money,

143
00:06:13,733 --> 00:06:15,933
your real dream
is to be an actor.

144
00:06:15,967 --> 00:06:18,067
Well, this is your chance!

145
00:06:18,067 --> 00:06:19,633
You've heard of my new drama,

146
00:06:19,667 --> 00:06:21,467
"The Life and Times
of Jackson Sweetwater"?

147
00:06:21,500 --> 00:06:22,467
Who hasn't?

148
00:06:22,500 --> 00:06:24,167
Everybody's talking
about it.

149
00:06:24,200 --> 00:06:26,333
(Harris)
Yeah, that's the point,
keep them talking.

150
00:06:26,367 --> 00:06:27,967
I just wish
it was a musical.

151
00:06:28,067 --> 00:06:29,400
I direct real theater.

152
00:06:29,433 --> 00:06:32,167
I don't direct musicals.

153
00:06:32,200 --> 00:06:35,067
Emerson, listen.
this play is going to be

154
00:06:35,100 --> 00:06:36,467
the biggest serious drama...

155
00:06:36,500 --> 00:06:38,300
...since Tennessee Williams
died.

156
00:06:38,333 --> 00:06:39,833
Or what about Arthur Miller?

157
00:06:39,867 --> 00:06:42,167
Okay, maybe since
Arthur Miller.

158
00:06:42,200 --> 00:06:43,633
Well, I hope you'll be here
opening night...

159
00:06:43,667 --> 00:06:45,500
...waiting for
the rave reviews.

160
00:06:45,533 --> 00:06:46,667
Are you kidding me?

161
00:06:46,700 --> 00:06:48,067
Where else would I be?
Where-- At Sardi's?

162
00:06:48,100 --> 00:06:49,400
I don't think so.

163
00:06:49,433 --> 00:06:50,400
(man)
I would hope not.

164
00:06:50,433 --> 00:06:51,533
Never.

165
00:06:51,567 --> 00:06:54,067
Well, just like
the old days, then, huh?

166
00:06:54,067 --> 00:06:56,367
Just like the old days,
Peter.

167
00:06:56,400 --> 00:06:57,500
Yeah.

168
00:06:57,533 --> 00:07:01,433
So get your sweet,
beautiful ass down here!

169
00:07:01,467 --> 00:07:03,067
Enjoy your dinner.
Thank you.

170
00:07:05,567 --> 00:07:07,800
Come on, Nick, let's
get this guy out of here.

171
00:07:07,833 --> 00:07:09,933
Yeah, I mean, you know
what I'm talking about.

172
00:07:09,967 --> 00:07:12,533
Mr. Carver, you're going
to miss your curtain.

173
00:07:12,567 --> 00:07:14,433
Come back soon.

174
00:07:14,467 --> 00:07:15,467
Sure...okay.

175
00:07:15,500 --> 00:07:16,467
Well, why don't you just
meet me here,

176
00:07:16,500 --> 00:07:18,200
and we'll walk over
together.

177
00:07:18,233 --> 00:07:19,233
Good.

178
00:07:19,267 --> 00:07:20,933
May I take your coat?

179
00:07:20,967 --> 00:07:23,400
Oh, thank you.

180
00:07:23,433 --> 00:07:27,067
Oh...thank you.

181
00:07:27,100 --> 00:07:29,933
Oh, this is fabulous.

182
00:07:29,967 --> 00:07:33,767
It's over 20 years old.

183
00:07:33,800 --> 00:07:35,433
It's my favorite.

184
00:07:35,467 --> 00:07:37,067
Well, I promise to take
good care of it.

185
00:07:37,100 --> 00:07:38,133
Hmm, you're an actress,
right?

186
00:07:38,167 --> 00:07:39,900
How could you tell?

187
00:07:39,933 --> 00:07:41,433
It's what I do for a living.

188
00:07:41,467 --> 00:07:42,800
You a good actress?

189
00:07:42,833 --> 00:07:45,067
Yes, I'd like to think so.

190
00:07:45,067 --> 00:07:46,167
Wrong.

191
00:07:46,200 --> 00:07:49,067
You are a fabulous actress.

192
00:07:49,067 --> 00:07:50,800
(laughs)
Like your coat?

193
00:07:50,833 --> 00:07:51,833
Just like my coat.

194
00:07:51,867 --> 00:07:53,267
And when I come back here,

195
00:07:53,300 --> 00:07:55,467
we're going to talk
about your career.

196
00:07:58,333 --> 00:08:01,067
Look, I know you like it.

197
00:08:01,067 --> 00:08:02,633
I would come over
and do that to you,

198
00:08:02,667 --> 00:08:04,833
but I'd rather
you meet me here first.

199
00:08:04,867 --> 00:08:08,100
**

200
00:08:08,133 --> 00:08:10,733
Hey, Max.

201
00:08:10,767 --> 00:08:12,400
Max!

202
00:08:12,433 --> 00:08:13,633
Harris Chappell.

203
00:08:13,667 --> 00:08:16,633
Hey.

204
00:08:19,700 --> 00:08:21,300
(piano comes back in)

205
00:08:21,333 --> 00:08:22,800
Where's Mike?

206
00:08:22,833 --> 00:08:24,333
Won the lotto.

207
00:08:24,367 --> 00:08:25,400
Retired to Florida.

208
00:08:25,433 --> 00:08:26,867
Oh.

209
00:08:26,900 --> 00:08:28,233
Lot of new faces here.

210
00:08:28,267 --> 00:08:29,800
When was the last time
you were in?

211
00:08:29,833 --> 00:08:31,567
A year ago,
maybe two.

212
00:08:31,600 --> 00:08:33,467
I've been working here
for about a year.

213
00:08:33,500 --> 00:08:35,067
You like it?
I do.

214
00:08:35,067 --> 00:08:36,700
I'm Ricardo.

215
00:08:36,733 --> 00:08:38,367
Harris Chappell.
So I hear.

216
00:08:38,400 --> 00:08:39,700
Nice to meet you.
Nice to meet you.

217
00:08:39,733 --> 00:08:40,800
What can I get for you?

218
00:08:40,833 --> 00:08:42,200
Well, let's see.

219
00:08:42,233 --> 00:08:44,567
Now, you look like
an intuitive man,

220
00:08:44,600 --> 00:08:45,633
so when you look at me,
what do you see?

221
00:08:45,667 --> 00:08:49,600
A gin martini,
extra dry,

222
00:08:49,633 --> 00:08:53,067
two olives...
Bombay Sapphire.

223
00:08:53,100 --> 00:08:54,133
Well, that's not bad.

224
00:08:54,167 --> 00:08:56,500
You just add two onions,
and you got it.

225
00:08:56,533 --> 00:08:59,067
Oh, a two-onion man.

226
00:08:59,067 --> 00:09:01,733
Yes, I find it adds a certain
zest to the martini.

227
00:09:01,767 --> 00:09:02,733
What are you drinking?

228
00:09:02,767 --> 00:09:03,900
Scotch.

229
00:09:03,933 --> 00:09:05,800
Well, you see,
that's more a man's drink,

230
00:09:05,833 --> 00:09:08,067
but I have a healthy respect
for scotch.

231
00:09:08,100 --> 00:09:10,833
I'm sorry.
Why?

232
00:09:10,867 --> 00:09:13,333
Well, because when I'm not
drinking gin,

233
00:09:13,367 --> 00:09:14,900
I'm usually
drinking scotch.

234
00:09:14,933 --> 00:09:16,533
Ah.
Ricardo...

235
00:09:16,567 --> 00:09:19,067
her next drink is on me,
but make it a gin martini.

236
00:09:19,067 --> 00:09:20,900
Two onions.

237
00:09:20,933 --> 00:09:22,633
Maybe I'm not the kind of girl
who accepts drinks

238
00:09:22,667 --> 00:09:24,400
from just anyone?

239
00:09:24,433 --> 00:09:28,200
Maybe you should.
I do.

240
00:09:28,233 --> 00:09:29,233
You don't remember me,
do you?

241
00:09:29,267 --> 00:09:31,833
Refresh my memory.

242
00:09:31,867 --> 00:09:33,867
Two years ago, you were here
for the Tony awards.

243
00:09:33,900 --> 00:09:35,600
I'm here every year
for the Tony awards,

244
00:09:35,633 --> 00:09:38,433
even when I'm not
nominated.

245
00:09:38,467 --> 00:09:39,967
That table.

246
00:09:40,067 --> 00:09:40,933
2:00 AM.

247
00:09:44,767 --> 00:09:46,067
(laughs)

248
00:09:46,100 --> 00:09:48,333
Oh, it's all coming back to me.

249
00:09:48,367 --> 00:09:49,333
I thought it might.

250
00:09:49,367 --> 00:09:50,333
My apologies.

251
00:09:50,367 --> 00:09:53,667
Oh...

252
00:09:53,700 --> 00:09:55,233
You got a name?
People do.

253
00:09:55,267 --> 00:09:56,900
Yeah, uh...
Nikki.

254
00:09:56,933 --> 00:09:58,400
Nikki?
My name is Nikki.

255
00:09:58,433 --> 00:09:59,800
Nikki Ross,
like the other night.

256
00:09:59,833 --> 00:10:01,600
Oh, pardonne-moi, madam.

257
00:10:01,633 --> 00:10:02,767
You're that Nikki.

258
00:10:02,800 --> 00:10:03,800
You're the writer at the "Post."

259
00:10:03,833 --> 00:10:06,233
I am.
(laughter)

260
00:10:06,267 --> 00:10:07,833
Well, word has it that
you're ready for a leap

261
00:10:07,867 --> 00:10:09,667
after you got your
ass kicked in Hollywood.

262
00:10:09,700 --> 00:10:11,000
That's a bit hostile.

263
00:10:11,033 --> 00:10:12,167
I wouldn't say
I got my ass kicked.

264
00:10:12,200 --> 00:10:13,300
I was spanked.

265
00:10:13,333 --> 00:10:14,600
Oh.

266
00:10:18,000 --> 00:10:19,967
Oh, and now, as I recall,

267
00:10:20,000 --> 00:10:21,667
you know quite a bit
about spanking.

268
00:10:21,700 --> 00:10:24,600
I guess I wasn't just a blur.

269
00:10:24,633 --> 00:10:25,833
But that was then.

270
00:10:25,867 --> 00:10:28,733
Now word has it
that you are directing

271
00:10:28,767 --> 00:10:30,767
the new Malcolm Andrews play.

272
00:10:30,800 --> 00:10:32,433
Word is correct.

273
00:10:32,467 --> 00:10:35,333
So do you see another Tony
in your future?

274
00:10:35,367 --> 00:10:38,300
My dear, if "The Life and Times
of Jackson Sweetwater"

275
00:10:38,333 --> 00:10:40,433
doesn't earn me another Tony,
I'll give all the others back.

276
00:10:40,467 --> 00:10:42,333
Well, aren't we feeling good
about ourselves?

277
00:10:42,367 --> 00:10:44,433
I usually do.

278
00:10:44,467 --> 00:10:45,867
I have another question.

279
00:10:45,900 --> 00:10:49,567
Shoot.

280
00:10:49,600 --> 00:10:51,233
(laughs)

281
00:10:51,267 --> 00:10:53,167
Is it true that
Malcolm Andrews died

282
00:10:53,200 --> 00:10:54,667
just a few days after
he finished the play?

283
00:10:54,700 --> 00:10:56,633
No.
(clears throat)

284
00:10:56,667 --> 00:10:59,167
Truth is, poor Malcolm
dotted his last "I,"

285
00:10:59,200 --> 00:11:00,433
crossed his final "T"

286
00:11:00,467 --> 00:11:03,900
ten minutes before shuffling
off this mortal coil.

287
00:11:03,933 --> 00:11:07,267
I was there--
I was by his bedside.

288
00:11:07,300 --> 00:11:09,967
I caught the pen as it dropped
from his withered,

289
00:11:10,067 --> 00:11:11,933
arthritic hand.

290
00:11:11,967 --> 00:11:13,733
No!

291
00:11:13,767 --> 00:11:14,867
May I quote you?

292
00:11:14,900 --> 00:11:16,933
Does the "Post" actually
quote people these days?

293
00:11:19,067 --> 00:11:21,400
What else do you think
you know?

294
00:11:21,433 --> 00:11:24,800
I think I know you cast
David Thiel in a major role,

295
00:11:24,833 --> 00:11:26,967
but your lead,
Jackson Sweetwater,

296
00:11:27,067 --> 00:11:28,533
is the biggest secret
in town.

297
00:11:28,567 --> 00:11:30,933
(chuckles)

298
00:11:30,967 --> 00:11:33,733
You have done your homework.

299
00:11:33,767 --> 00:11:36,767
So, why this project?

300
00:11:36,800 --> 00:11:39,200
My "Death of a Salesman."

301
00:11:39,233 --> 00:11:40,833
My "Long Day's Journey
into Night."

302
00:11:40,867 --> 00:11:43,167
Arthur Miller.

303
00:11:43,200 --> 00:11:45,400
Tennessee Williams.

304
00:11:45,433 --> 00:11:47,867
Malcolm Andrews.

305
00:11:47,900 --> 00:11:50,133
And you are-- tsk, tsk, tsk.

306
00:11:50,167 --> 00:11:53,133
Nikki, you're asking me why
I direct this play?

307
00:11:53,167 --> 00:11:55,933
(phone plays musical ringtone)

308
00:11:55,967 --> 00:12:01,467
Oh, you know, I hate musicals,
but I just love Ethel Merman.

309
00:12:01,500 --> 00:12:02,900
Excuse me.

310
00:12:02,933 --> 00:12:05,333
Hello, this is Harris Chappell.

311
00:12:05,367 --> 00:12:06,467
This is Spencer West.

312
00:12:06,500 --> 00:12:07,733
Yes, where are you?

313
00:12:07,767 --> 00:12:09,400
I'm outside.

314
00:12:09,433 --> 00:12:11,533
Why are you outside?

315
00:12:11,567 --> 00:12:12,667
I was waiting for you.

316
00:12:12,700 --> 00:12:14,300
(Harris)
Well, I'm waiting
for you inside.

317
00:12:14,333 --> 00:12:18,167
Okay, I'm coming in.

318
00:12:18,200 --> 00:12:20,433
So who are you meeting?

319
00:12:20,467 --> 00:12:22,800
Hmm...you know,
it's nice to meet you.

320
00:12:22,833 --> 00:12:24,167
We have to do this again.

321
00:12:24,200 --> 00:12:27,233
So...

322
00:12:27,267 --> 00:12:28,400
Who are you meeting?

323
00:12:31,633 --> 00:12:33,333
How old are you?

324
00:12:33,367 --> 00:12:35,200
27.
So, when we--

325
00:12:35,233 --> 00:12:39,400
25 when we did it.
(laughs)

326
00:12:42,600 --> 00:12:43,967
When we did it...

327
00:12:44,067 --> 00:12:47,167
I like older men.

328
00:12:47,200 --> 00:12:49,100
Spank me, daddy.

329
00:12:52,600 --> 00:12:55,700
(sighs)

330
00:12:55,733 --> 00:12:57,900
(giggles)

331
00:13:00,133 --> 00:13:01,100
Spencer?

332
00:13:01,133 --> 00:13:02,833
Mr. Chappell.

333
00:13:02,867 --> 00:13:04,900
No, no, no, call me Harris.

334
00:13:04,933 --> 00:13:06,700
Come on,
let's check this stuff.

335
00:13:06,733 --> 00:13:07,800
All right.

336
00:13:07,833 --> 00:13:09,433
Weren't you cold outside?

337
00:13:09,467 --> 00:13:11,567
(laughs)
There you go.

338
00:13:11,600 --> 00:13:13,633
More?
Yes, more.

339
00:13:13,667 --> 00:13:15,833
Now, Spencer,
this is Sophia.

340
00:13:15,867 --> 00:13:17,367
Sophia Martinelli--
nice to met you.

341
00:13:17,400 --> 00:13:19,067
Sophia, this is...
Spencer West.

342
00:13:19,100 --> 00:13:20,133
Spencer West.

343
00:13:20,167 --> 00:13:22,133
And you are both actors.

344
00:13:22,167 --> 00:13:23,600
I'll take that.

345
00:13:23,633 --> 00:13:28,267
Come on, we have important
matters to discuss.

346
00:13:28,300 --> 00:13:29,867
We're ready for our table.

347
00:13:29,900 --> 00:13:31,433
Uh, yeah, this way,
Mr. Chappell.

348
00:13:31,467 --> 00:13:34,833
Why don't you sit here?

349
00:13:34,867 --> 00:13:37,100
All right.

350
00:13:37,133 --> 00:13:39,200
Alfonso will take
very good care of you.

351
00:13:39,233 --> 00:13:40,967
Thank you, Peter.
Thank you.

352
00:13:41,067 --> 00:13:41,967
A cocktail before dinner?

353
00:13:42,067 --> 00:13:44,900
Uh, yes, my usual.

354
00:13:44,933 --> 00:13:46,100
Your usual?

355
00:13:46,133 --> 00:13:49,100
Yes. Tell Ricardo
it's for Harris Chappell.

356
00:13:49,133 --> 00:13:50,233
And for the young man?

357
00:13:50,267 --> 00:13:51,533
Just water.

358
00:13:51,567 --> 00:13:52,700
No, no, no, no.

359
00:13:52,733 --> 00:13:54,433
You will not have
"just water."

360
00:13:54,467 --> 00:13:55,467
Live a little.

361
00:13:55,500 --> 00:13:56,867
Club soda?
No, no.

362
00:13:56,900 --> 00:13:58,067
With a lime?
No.

363
00:13:58,100 --> 00:13:59,433
Do you drink beer?

364
00:13:59,467 --> 00:14:01,467
I mean, I just turned 21
last week, so...

365
00:14:01,500 --> 00:14:03,100
Well, happy birthday.

366
00:14:03,133 --> 00:14:06,500
Alfonso, a Moretti for this
future Broadway star.

367
00:14:06,533 --> 00:14:08,767
Yes, sir.

368
00:14:08,800 --> 00:14:10,633
Do you really think I'm
gonna be a Broadway star?

369
00:14:10,667 --> 00:14:12,700
Absolutely, as long as
you don't freeze your ass off

370
00:14:12,733 --> 00:14:14,267
waiting outside
restaurants.

371
00:14:14,300 --> 00:14:15,967
I'm sorry about that.

372
00:14:16,067 --> 00:14:17,200
Don't worry about it.

373
00:14:17,233 --> 00:14:19,800
Have you done any work
before in the theater?

374
00:14:19,833 --> 00:14:22,067
I had an audition
to replace someone

375
00:14:22,067 --> 00:14:23,167
in "The Moon's a Balloon."

376
00:14:23,200 --> 00:14:25,133
I saw that this afternoon.

377
00:14:25,167 --> 00:14:26,333
The matinee.
It's one of my favorites.

378
00:14:26,367 --> 00:14:27,333
Really?
You had an audition?

379
00:14:27,367 --> 00:14:28,333
Yeah.

380
00:14:28,367 --> 00:14:30,200
I didn't get the part, but...

381
00:14:30,233 --> 00:14:32,133
Well, that's their
mistake.

382
00:14:32,167 --> 00:14:33,600
Then again, most people
in this business

383
00:14:33,633 --> 00:14:36,067
don't know what
they're doing.

384
00:14:36,067 --> 00:14:38,067
So that's
the Harris Chappell?

385
00:14:38,067 --> 00:14:40,533
I wonder who the kid is.

386
00:14:43,467 --> 00:14:46,500
Who's that good-looking kid
with Harris Chappell?

387
00:14:46,533 --> 00:14:49,267
He is cute.

388
00:14:49,300 --> 00:14:50,700
Yeah, sure is.

389
00:14:50,733 --> 00:14:53,267
I noticed him outside
when met Harris.

390
00:14:53,300 --> 00:14:55,167
Well, his name is Spencer,

391
00:14:55,200 --> 00:14:56,933
and according
to Mr. Chappell,

392
00:14:56,967 --> 00:14:59,667
they have important matters
to discuss.

393
00:14:59,700 --> 00:15:01,367
Oh, of course.

394
00:15:01,400 --> 00:15:03,733
Yes, Harris mentioned to me
we'd be meeting him.

395
00:15:03,767 --> 00:15:07,567
Well, I'll just freshen up
before I join them, then.

396
00:15:07,600 --> 00:15:10,233
Okay.
Thanks.

397
00:15:10,267 --> 00:15:12,067
You know, I want to thank you
for spending the time

398
00:15:12,067 --> 00:15:13,767
to meet with me,
Mr. Chappell.

399
00:15:13,800 --> 00:15:15,500
You're very welcome,
it's my pleasure.

400
00:15:15,533 --> 00:15:16,967
But you really should thank
your father.

401
00:15:17,067 --> 00:15:19,233
How do you two know
each other?

402
00:15:19,267 --> 00:15:20,933
He didn't tell you?
No.

403
00:15:20,967 --> 00:15:25,167
Well, when your dad and I
were, uh, in college,

404
00:15:25,200 --> 00:15:27,367
we worked summers at, uh,

405
00:15:27,400 --> 00:15:30,100
Camp Waunakee,
in New Hampshire.

406
00:15:30,133 --> 00:15:32,200
Is that, like,
a theatrical camp?

407
00:15:32,233 --> 00:15:33,533
(laughs)
I only wish.

408
00:15:33,567 --> 00:15:35,800
No, it was a sports camp.

409
00:15:35,833 --> 00:15:38,533
Anyway, I was playing
third base umpire.

410
00:15:38,567 --> 00:15:40,767
Playing third base umpire?

411
00:15:40,800 --> 00:15:42,767
Yeah, obviously I was
out of my element.

412
00:15:42,800 --> 00:15:44,100
And your dad was coaching.

413
00:15:44,133 --> 00:15:47,333
And there was this play
at my-- my-- my base.

414
00:15:47,367 --> 00:15:50,067
And apparently
I just missed the call.

415
00:15:50,067 --> 00:15:51,567
I was reading a book
at the time.

416
00:15:51,600 --> 00:15:52,700
It was "War and Peace."

417
00:15:52,733 --> 00:15:54,067
And what did my dad do?

418
00:15:54,100 --> 00:15:55,933
Your dad came running
across the field.

419
00:15:55,967 --> 00:15:57,567
He wanted to kill me

420
00:15:57,600 --> 00:15:59,333
What happened?
I ran.

421
00:15:59,367 --> 00:16:02,300
I was really fast
in those days, luckily.

422
00:16:02,333 --> 00:16:04,367
And then you two
just became friends?

423
00:16:04,400 --> 00:16:06,233
We just became friends
at the Whitehorse Inn

424
00:16:06,267 --> 00:16:08,500
over lobsters and beer.

425
00:16:08,533 --> 00:16:09,567
Sweet.

426
00:16:09,600 --> 00:16:11,267
Yeah, my dad said that
you owed him a favor.

427
00:16:11,300 --> 00:16:12,500
That's true.

428
00:16:12,533 --> 00:16:14,600
A favor he's been
waiting to collect on

429
00:16:14,633 --> 00:16:16,167
for over 20 years, but he just
won't take my money.

430
00:16:16,200 --> 00:16:17,400
Why not?

431
00:16:17,433 --> 00:16:20,333
He said he would rather me
owe him a favor.

432
00:16:20,367 --> 00:16:22,600
He would collect on it
sooner or later.

433
00:16:22,633 --> 00:16:24,933
Thank you.

434
00:16:24,967 --> 00:16:27,300
So I guess that's why
you're meeting with me.

435
00:16:27,333 --> 00:16:29,367
No, no, no.

436
00:16:29,400 --> 00:16:32,833
I liked you on the phone
when we talked yesterday.

437
00:16:32,867 --> 00:16:34,567
I wanted to have
dinner with you.

438
00:16:34,600 --> 00:16:38,333
And as I said previously,
I think you are--

439
00:16:38,367 --> 00:16:41,833
Well, you have...
a nice quality.

440
00:16:41,867 --> 00:16:44,500
Perhaps I will
direct you someday.

441
00:16:44,533 --> 00:16:45,967
(Harris)
Who knows?

442
00:16:46,067 --> 00:16:47,600
Well, that would be sweet.

443
00:16:47,633 --> 00:16:48,667
That'd be really sweet.

444
00:16:48,700 --> 00:16:50,400
Well, so,

445
00:16:50,433 --> 00:16:52,300
is this the young man
you told me

446
00:16:52,333 --> 00:16:55,100
you had a meeting
with tonight?

447
00:16:55,133 --> 00:16:56,100
Indeed, it is.
Well...

448
00:16:56,133 --> 00:16:57,533
Had you known who he was,

449
00:16:57,567 --> 00:16:59,467
you could have held your meeting
out on the sidewalk.

450
00:16:59,500 --> 00:17:01,367
Didi Ravenal--
pleasure to meet you.

451
00:17:01,400 --> 00:17:02,367
Spencer West.

452
00:17:02,400 --> 00:17:03,400
Nice to meet you,
Miss Ravenal.

453
00:17:03,433 --> 00:17:04,567
Oh, call me Didi.

454
00:17:04,600 --> 00:17:06,433
Any friend of Harris' is
a friend of mine.

455
00:17:06,467 --> 00:17:07,967
Yes, not necessarily
in that order.

456
00:17:08,067 --> 00:17:10,267
This is much cozier
in here

457
00:17:10,300 --> 00:17:11,367
than out there
on the street, eh?

458
00:17:11,400 --> 00:17:12,567
Yes, it is.

459
00:17:12,600 --> 00:17:14,967
Well, let's not make it
too cozy, my dear.

460
00:17:15,067 --> 00:17:20,600
Did you know that Spencer was
offered a full scholarship

461
00:17:20,633 --> 00:17:23,533
at Cornell for math and science,
and he turned it down?

462
00:17:23,567 --> 00:17:25,067
Well, now I am impressed.

463
00:17:25,067 --> 00:17:26,367
Why did you turn that down?

464
00:17:26,400 --> 00:17:30,100
Um, I-- actually, I kind of
caught the acting bug

465
00:17:30,133 --> 00:17:32,067
my junior year of high school.

466
00:17:32,100 --> 00:17:35,400
I got the lead
in "Guys and Dolls."

467
00:17:35,433 --> 00:17:36,500
Oh, another musical.

468
00:17:36,533 --> 00:17:37,833
(Spencer laughs)

469
00:17:37,867 --> 00:17:40,967
(Harris)
Nathan Detroit will get you
every time.

470
00:17:41,067 --> 00:17:44,333
I have to tell you, I saw your
commercial on the internet.

471
00:17:44,367 --> 00:17:45,800
Really?
What did you think?

472
00:17:45,833 --> 00:17:48,533
I thought you were very,
very good in it.

473
00:17:48,567 --> 00:17:50,500
Really?
Mm-hmm.

474
00:17:50,533 --> 00:17:51,967
Well, thanks.

475
00:17:52,067 --> 00:17:53,133
So, what else have you
been doing?

476
00:17:53,167 --> 00:17:55,400
Just auditioning.

477
00:17:55,433 --> 00:17:59,133
I think Spencer's probably
wonderful at auditioning.

478
00:17:59,167 --> 00:18:00,633
Cattle calls, right?

479
00:18:00,667 --> 00:18:02,433
Yeah. Yes, sir.

480
00:18:02,467 --> 00:18:04,800
There's lots of young bulls
at cattle calls.

481
00:18:04,833 --> 00:18:08,600
Uh, from what I've been told.

482
00:18:08,633 --> 00:18:10,500
You know, he's trying to get
an agent, not a stud fee.

483
00:18:13,367 --> 00:18:14,333
Alfonso!

484
00:18:14,367 --> 00:18:16,200
Was that too loud?

485
00:18:16,233 --> 00:18:18,833
You'll have to forgive
my friend here.

486
00:18:18,867 --> 00:18:21,967
She's a...
a little man-happy.

487
00:18:22,067 --> 00:18:24,067
(Spencer)
Man-happy?

488
00:18:24,067 --> 00:18:26,233
Mm-hmm, she got more oats
in her than a Quaker.

489
00:18:26,267 --> 00:18:27,800
Oh, that's interesting.

490
00:18:27,833 --> 00:18:30,433
(man)
Good evening,
Miss Diamond.

491
00:18:30,467 --> 00:18:32,400
Your guests are seated.
Roman.

492
00:18:32,433 --> 00:18:35,600
Do you know who
Nancy Diamond is?

493
00:18:35,633 --> 00:18:37,333
Yeah, she owns
Diamond Artists.

494
00:18:37,367 --> 00:18:39,333
Yes, and, uh...

495
00:18:39,367 --> 00:18:41,167
Do you think that's
a good agency?

496
00:18:41,200 --> 00:18:42,433
I'd say that's
a great agency.

497
00:18:42,467 --> 00:18:45,600
Well, I wouldn't
say much right now

498
00:18:45,633 --> 00:18:47,533
because she
walking over here.

499
00:18:47,567 --> 00:18:50,067
Hello.

500
00:18:50,067 --> 00:18:51,833
Well, hi.
Nancy, it's great to see you.

501
00:18:51,867 --> 00:18:53,700
Nice to see you again.
Thank you.

502
00:18:53,733 --> 00:18:55,667
Hi, Didi, how are you?

503
00:18:55,700 --> 00:18:56,667
Fine, Nancy, thanks.

504
00:18:56,700 --> 00:18:58,067
How's the new play coming?

505
00:18:58,067 --> 00:18:59,500
Oh, it's great.

506
00:18:59,533 --> 00:19:01,667
We're about to make
our big announcement.

507
00:19:01,700 --> 00:19:04,300
I was very disappointed
when you turned down Jack

508
00:19:04,333 --> 00:19:05,300
for the leading role.

509
00:19:05,333 --> 00:19:06,333
Sorry, Jack's a great actor,

510
00:19:06,367 --> 00:19:07,567
but he's not right
for this role.

511
00:19:07,600 --> 00:19:09,133
I would think I represent
somebody who's,

512
00:19:09,167 --> 00:19:12,700
as you put it,
"right" for the role.

513
00:19:12,733 --> 00:19:13,767
Who are you?

514
00:19:13,800 --> 00:19:15,267
Forgive me,
this is Spencer West.

515
00:19:15,300 --> 00:19:17,467
Oh.

516
00:19:17,500 --> 00:19:19,433
It's nice to meet you,
Miss Diamond.

517
00:19:19,467 --> 00:19:21,833
Yes, and who represents you,
young man?

518
00:19:21,867 --> 00:19:23,833
He's actually seeking
representation.

519
00:19:23,867 --> 00:19:26,867
You know, Harris,
if the new play wins a Tony,

520
00:19:26,900 --> 00:19:28,200
you could go back
to Hollywood.

521
00:19:28,233 --> 00:19:29,533
I'm working on
something for you.

522
00:19:29,567 --> 00:19:31,700
Well, that's
very nice of you.

523
00:19:31,733 --> 00:19:34,567
Hollywood was not
good to me.

524
00:19:34,600 --> 00:19:36,600
That's because
you weren't in control.

525
00:19:36,633 --> 00:19:39,233
Bart Liebowitz was in charge,
you took the fall.

526
00:19:39,267 --> 00:19:40,700
Everybody knows that.
Yeah.

527
00:19:40,733 --> 00:19:42,133
Next time will be different.

528
00:19:42,167 --> 00:19:44,733
Well, I appreciate
your support.

529
00:19:44,767 --> 00:19:46,300
Should we get together?

530
00:19:46,333 --> 00:19:47,567
Would you like to have lunch?

531
00:19:47,600 --> 00:19:48,733
I would love to.

532
00:19:48,767 --> 00:19:49,967
End of the week?

533
00:19:50,067 --> 00:19:51,567
End of the week, Roman?
Yes, Miss Diamond.

534
00:19:51,600 --> 00:19:53,367
Yes, that would be perfect.
Thank you.

535
00:19:53,400 --> 00:19:54,733
Great to see you, darling.

536
00:19:54,767 --> 00:19:56,233
Nice to see you.
Nice to see you again, Didi.

537
00:19:56,267 --> 00:19:57,333
You too.

538
00:19:57,367 --> 00:19:58,667
And nice to meet you,
uh, Steven.

539
00:19:58,700 --> 00:20:00,667
Enjoy your meal.

540
00:20:00,700 --> 00:20:02,867
(Nancy)
William, hello.

541
00:20:02,900 --> 00:20:06,633
Well, Steven,
that is Nancy Diamond.

542
00:20:06,667 --> 00:20:10,267
I don't care if she said Steven,
that was Nancy Diamond!

543
00:20:10,300 --> 00:20:12,867
She's lassoed her share
of young bulls at cattle calls.

544
00:20:12,900 --> 00:20:14,033
Didi.
What?

545
00:20:14,067 --> 00:20:15,900
I'm simply trying
to educate Spencer

546
00:20:15,933 --> 00:20:17,300
as to what goes on
in this business.

547
00:20:17,333 --> 00:20:19,900
I'll do that,
thank you very much.

548
00:20:19,933 --> 00:20:22,067
Yeah, she's a great agent,
but you're going to have to

549
00:20:22,100 --> 00:20:23,500
put together
a little résumé

550
00:20:23,533 --> 00:20:25,200
if you want someone like
that to sign you.

551
00:20:25,233 --> 00:20:27,200
I think just meeting
her was sweet.

552
00:20:27,233 --> 00:20:28,800
Ah, you use this term,

553
00:20:28,833 --> 00:20:29,967
and I have no idea
what you're saying.

554
00:20:30,000 --> 00:20:31,167
What is--
Sweet?

555
00:20:31,200 --> 00:20:34,467
Oh, I'm sorry, it's like
saying "great," but better.

556
00:20:34,500 --> 00:20:36,467
Mm.
So, Spencer,

557
00:20:36,500 --> 00:20:38,700
besides auditioning, what else
have you done recently?

558
00:20:38,733 --> 00:20:41,933
About a month ago,
I did a workshop

559
00:20:41,967 --> 00:20:43,733
for a musical called
"Angels in Hell."

560
00:20:43,767 --> 00:20:45,100
Angels in...
In Hell.

561
00:20:45,133 --> 00:20:46,933
Aha, that sounds promising.

562
00:20:46,967 --> 00:20:49,533
Then last week I did a student
film about the Civil War.

563
00:20:49,567 --> 00:20:51,100
(Harris)
Civil War is good.

564
00:20:51,133 --> 00:20:53,000
We shot in south Jersey.

565
00:20:53,033 --> 00:20:55,033
I hope that wasn't
a musical.

566
00:20:55,067 --> 00:20:56,333
No.

567
00:20:56,367 --> 00:20:58,967
No, I actually,
I played the grandfather

568
00:20:59,000 --> 00:21:02,733
of a man who's out
looking for his daughter,

569
00:21:02,767 --> 00:21:05,467
who is masquerading as a boy

570
00:21:05,500 --> 00:21:08,500
so she can join
the Confederate Army.

571
00:21:08,533 --> 00:21:09,633
Hmm.

572
00:21:09,667 --> 00:21:12,767
Kind of a "Boys Don't Cry"
period piece.

573
00:21:12,800 --> 00:21:14,533
Yeah, I never thought
about it like that.

574
00:21:14,567 --> 00:21:15,800
Now, listen, Spencer.

575
00:21:15,833 --> 00:21:17,200
Listen to me, now.

576
00:21:17,233 --> 00:21:18,633
When you talk about
your credits,

577
00:21:18,667 --> 00:21:21,667
you have to make them sound
a little bigger than they are.

578
00:21:21,700 --> 00:21:24,833
In other words,
my handsome friend, lie.

579
00:21:24,867 --> 00:21:26,200
Lie?

580
00:21:26,233 --> 00:21:28,200
No, I don't agree--
not lie, no.

581
00:21:28,233 --> 00:21:31,833
But it wouldn't hurt you
to exaggerate a little bit.

582
00:21:31,867 --> 00:21:32,833
What do you mean?

583
00:21:32,867 --> 00:21:36,067
Well, Spencer...

584
00:21:36,100 --> 00:21:38,400
do you know what makes
great theater?

585
00:21:38,433 --> 00:21:39,500
Yeah.

586
00:21:39,533 --> 00:21:40,500
I'll tell you.

587
00:21:40,533 --> 00:21:42,167
It's simple.

588
00:21:42,200 --> 00:21:45,067
You see, a play or movie
is just like life,

589
00:21:45,067 --> 00:21:47,667
except we just take
all the boring parts out.

590
00:21:47,700 --> 00:21:52,233
It's taking a good story
and making a great story,

591
00:21:52,267 --> 00:21:54,133
making it larger than life.

592
00:21:54,167 --> 00:21:55,667
Exaggerating.

593
00:21:55,700 --> 00:21:57,600
Just exaggerating?

594
00:21:57,633 --> 00:21:58,867
Just exaggerating.

595
00:21:58,900 --> 00:22:01,867
Because that's all this
show business really is.

596
00:22:01,900 --> 00:22:05,233
Its just exaggeration.

597
00:22:05,267 --> 00:22:06,667
I have a lot to teach you.

598
00:22:08,900 --> 00:22:11,500
I would appreciate any help
that you could give me.

599
00:22:11,533 --> 00:22:12,933
You have it. Oh--

600
00:22:12,967 --> 00:22:14,800
Any decisions yet?

601
00:22:14,833 --> 00:22:17,067
You'll have to give us
five minutes, Alfonso.

602
00:22:17,067 --> 00:22:21,200
But in the interim, Miss Ravenal
is desperate for a drink.

603
00:22:21,233 --> 00:22:22,300
Desperate, yes.

604
00:22:22,333 --> 00:22:24,100
I would love
a Grey Goose martini

605
00:22:24,133 --> 00:22:25,233
straight up
with some olives.

606
00:22:25,267 --> 00:22:27,100
And I would like it stirred,
not shaken.

607
00:22:27,133 --> 00:22:28,300
We wouldn't want to bruise
the ice.

608
00:22:28,333 --> 00:22:29,933
And make it dirty.

609
00:22:29,967 --> 00:22:31,500
No, we mustn't.

610
00:22:31,533 --> 00:22:35,400
**

611
00:22:54,767 --> 00:22:56,833
Good evening, Mr. Thiel.

612
00:22:58,267 --> 00:23:01,200
That's David Thiel,
a really good actor.

613
00:23:01,233 --> 00:23:03,933
Harris, I need to talk
to you.

614
00:23:03,967 --> 00:23:05,067
Oh, darling, how are you?

615
00:23:05,067 --> 00:23:06,933
What are you
doing here, David?

616
00:23:06,967 --> 00:23:08,133
We're supposed to meet
at the theater?

617
00:23:08,167 --> 00:23:09,700
Well, something's come up.
Can it wait?

618
00:23:09,733 --> 00:23:12,133
No.
Oh, sorry.

619
00:23:12,167 --> 00:23:13,867
This is Spencer West,
this is David Thiel.

620
00:23:13,900 --> 00:23:15,133
Yeah, I know who
Mr. Thiel is.

621
00:23:15,167 --> 00:23:16,567
You are a wonderful actor.

622
00:23:16,600 --> 00:23:19,600
Oh, oh, well, thanks.

623
00:23:19,633 --> 00:23:20,767
Who are you again?

624
00:23:20,800 --> 00:23:22,600
Spencer West.
He's also an actor.

625
00:23:22,633 --> 00:23:23,800
Who isn't in New York?

626
00:23:23,833 --> 00:23:24,867
Oh, have I seen you
in anything recently?

627
00:23:24,900 --> 00:23:26,900
I did something on the web.

628
00:23:26,933 --> 00:23:29,133
What, the new series?
No, the internet.

629
00:23:29,167 --> 00:23:31,533
Fellas, we're not here
to trade credits.

630
00:23:31,567 --> 00:23:32,800
Harris, I need you.

631
00:23:32,833 --> 00:23:34,533
I really need to talk to you
for just a second.

632
00:23:34,567 --> 00:23:37,167
Spencer, don't you need
to use the facilities?

633
00:23:37,200 --> 00:23:39,600
The men's room.

634
00:23:39,633 --> 00:23:41,067
Oh, yeah,
the men's room.

635
00:23:41,067 --> 00:23:44,167
That sounds like a good idea.

636
00:23:44,200 --> 00:23:46,833
I'll order for you.
What do you want?

637
00:23:46,867 --> 00:23:48,600
I'm just going to get
a burger, medium.

638
00:23:48,633 --> 00:23:50,967
No, you can't order
a burger.

639
00:23:51,067 --> 00:23:53,933
Up-and-coming Broadway stars
don't eat burgers.

640
00:23:53,967 --> 00:23:55,300
He's an up-and-coming
Broadway star?

641
00:23:55,333 --> 00:23:56,833
Well, it's--

642
00:23:56,867 --> 00:24:00,100
Oh, wow.
All right!

643
00:24:00,133 --> 00:24:02,600
Larry Lind is coming
over here.

644
00:24:02,633 --> 00:24:04,400
Are you serious?
He's on his way now!

645
00:24:04,433 --> 00:24:07,633
He'll queer the whole deal,
you'll pardon the expression.

646
00:24:07,667 --> 00:24:09,500
Her boyfriend...

647
00:24:09,533 --> 00:24:11,700
Emerson.
Emerson Todd.

648
00:24:11,733 --> 00:24:13,267
Emerson Todd is joining us.

649
00:24:13,300 --> 00:24:15,600
He's putting up the money
to finance the play.

650
00:24:15,633 --> 00:24:16,600
I thought you said it was
Monte something or other.

651
00:24:16,633 --> 00:24:17,733
No, no, no, no.

652
00:24:17,767 --> 00:24:19,400
It was Monte something
or other.

653
00:24:19,433 --> 00:24:21,767
If Larry Lind walks in here,
it'll ruin everything.

654
00:24:21,800 --> 00:24:23,067
I've been trying to keep
his identity a secret

655
00:24:23,100 --> 00:24:24,433
until we make
the big announcement.

656
00:24:24,467 --> 00:24:27,600
Well, darling, Larry is
on his way over here right now

657
00:24:27,633 --> 00:24:28,967
to bitch about the script.

658
00:24:29,067 --> 00:24:30,767
What's wrong with the script?

659
00:24:30,800 --> 00:24:33,533
I think it's magnificent,
but you know Larry Lind.

660
00:24:33,567 --> 00:24:35,367
Do you see that woman
at the bar?

661
00:24:35,400 --> 00:24:37,133
With the extremely
large breasts?

662
00:24:37,167 --> 00:24:38,300
There's only one
woman at the bar.

663
00:24:38,333 --> 00:24:39,467
I was just identifying her,
Jesus.

664
00:24:39,500 --> 00:24:40,700
She's with the "Post."

665
00:24:40,733 --> 00:24:42,967
She's sniffing around
for a story.

666
00:24:43,067 --> 00:24:44,200
If Larry Lind walked in here...
Don't worry.

667
00:24:44,233 --> 00:24:45,500
He's coming in a disguise.

668
00:24:45,533 --> 00:24:47,700
Oh, my God.

669
00:24:47,733 --> 00:24:49,767
Are we ready to order?

670
00:24:49,800 --> 00:24:53,967
Uh, thank you-- what, uh...
Oh, no, no.

671
00:24:54,067 --> 00:24:55,367
I just want another
Grey Goose martini.

672
00:24:55,400 --> 00:24:56,800
I'm not eating anything.

673
00:24:56,833 --> 00:24:58,833
All right, then Spencer and I
will have two Caesar salads,

674
00:24:58,867 --> 00:25:02,833
extra anchovies for on mine,
and two rib eye steaks.

675
00:25:02,867 --> 00:25:07,500
A nice Cabernet for the dinner,
and bring a martini now.

676
00:25:07,533 --> 00:25:09,067
Will Mr. Thiel be joining
us for dinner?

677
00:25:09,100 --> 00:25:10,233
Yeah, I'll have-

678
00:25:10,267 --> 00:25:12,233
No, he's got somebody
he's got to meet in the bar.

679
00:25:12,267 --> 00:25:14,567
You go in there,
and you keep her busy.

680
00:25:14,600 --> 00:25:16,267
Well, it looks like she
just went to the restroom.

681
00:25:16,300 --> 00:25:17,467
Then wait for her
until she comes out.

682
00:25:17,500 --> 00:25:19,067
I can see it from here.

683
00:25:19,067 --> 00:25:22,233
Oh, please, someone help me.

684
00:25:31,067 --> 00:25:32,833
Oh!

685
00:25:32,867 --> 00:25:34,533
Whoa!

686
00:25:34,567 --> 00:25:37,600
Excuse me, this is the--

687
00:25:37,633 --> 00:25:38,933
This is the men's room.

688
00:25:38,967 --> 00:25:40,300
Well, I can see that.

689
00:25:42,933 --> 00:25:44,833
Uh, yeah, excuse me, I...

690
00:25:44,867 --> 00:25:46,467
I came in here because
I wanted to meet you.

691
00:25:46,500 --> 00:25:49,167
And so you picked the men's room
to break the ice?

692
00:25:49,200 --> 00:25:51,067
Well, I couldn't just
come over to the table.

693
00:25:51,067 --> 00:25:52,200
Why not?

694
00:25:52,233 --> 00:25:54,433
I'm a little shy.
You're shy?

695
00:25:54,467 --> 00:25:56,533
Hi, I'm Nikki.

696
00:25:56,567 --> 00:25:59,467
Spencer. I'm just--

697
00:25:59,500 --> 00:26:02,100
Wait a minute, you're
an actor, aren't you?

698
00:26:02,133 --> 00:26:04,133
How did you know?

699
00:26:04,167 --> 00:26:06,267
You look like one.

700
00:26:06,300 --> 00:26:08,700
Have I seen you
in anything?

701
00:26:08,733 --> 00:26:12,567
(laughter outside)

702
00:26:12,600 --> 00:26:14,933
Yeah, I just finished
my first film.

703
00:26:14,967 --> 00:26:16,600
That must have been great.

704
00:26:16,633 --> 00:26:21,767
It's kind of a "Boys Don't Cry"
set in the Civil War.

705
00:26:21,800 --> 00:26:23,400
Sounds very interesting.

706
00:26:23,433 --> 00:26:27,867
It's a very, you know,
provocative piece.

707
00:26:27,900 --> 00:26:32,133
So, um, Spencer...

708
00:26:32,167 --> 00:26:34,967
what brings you
out here tonight?

709
00:26:35,067 --> 00:26:37,400
Oh, I'm having dinner with
Harris Chappell, the director.

710
00:26:37,433 --> 00:26:38,600
Harris Chappell?

711
00:26:38,633 --> 00:26:40,067
Really?
Mm-hmm.

712
00:26:40,067 --> 00:26:43,467
Are you going to be in something
that he's directing?

713
00:26:43,500 --> 00:26:45,233
I can't talk about that.

714
00:26:45,267 --> 00:26:47,500
Oh, well...

715
00:26:47,533 --> 00:26:49,600
Am I interrupting something?

716
00:26:49,633 --> 00:26:51,300
Not yet.

717
00:26:51,333 --> 00:26:53,700
No, no, we were
just talking.

718
00:26:53,733 --> 00:26:55,667
I see.

719
00:26:55,700 --> 00:26:59,267
Spencer, why don't you
meet me in the bar

720
00:26:59,300 --> 00:27:00,800
after you finish
dinner?

721
00:27:00,833 --> 00:27:03,300
I mean, that is,
unless you other plans.

722
00:27:03,333 --> 00:27:05,200
No, I don't have any plans.

723
00:27:05,233 --> 00:27:06,800
Yay.

724
00:27:06,833 --> 00:27:09,267
Okay,
see you later.

725
00:27:09,300 --> 00:27:10,533
Bye .

726
00:27:10,567 --> 00:27:12,500
All right.

727
00:27:14,833 --> 00:27:16,633
I think she likes me.

728
00:27:16,667 --> 00:27:19,500
You do?
You don't?

729
00:27:19,533 --> 00:27:23,333
**

730
00:27:26,600 --> 00:27:28,067
(Didi)
What are you complaining about?

731
00:27:28,067 --> 00:27:29,833
It doesn't matter what he's
complaining about.

732
00:27:29,867 --> 00:27:31,133
He needs to be heard.

733
00:27:31,167 --> 00:27:32,633
(Harris)
That's what I don't understand.

734
00:27:32,667 --> 00:27:33,633
You're the center.

735
00:27:33,667 --> 00:27:34,767
You're the center.

736
00:27:34,800 --> 00:27:36,367
Everything depends on you,
all right?

737
00:27:36,400 --> 00:27:38,967
So just treat him with
respect, okay?

738
00:27:39,067 --> 00:27:40,367
I think you need to call him
and tell him not to come.

739
00:27:40,400 --> 00:27:42,633
I'm not gonna-- he's
on his way right now.

740
00:27:44,733 --> 00:27:46,300
Thanks, Alfonso.
I don't think she went
to the ladies' room.

741
00:27:46,333 --> 00:27:48,533
I think she left
out the back door.

742
00:27:48,567 --> 00:27:50,267
(man)
Harris.

743
00:27:50,300 --> 00:27:52,167
Oh, my God,
Bart Liebowitz.

744
00:27:52,200 --> 00:27:54,400
I had to come over
and say hello.

745
00:27:54,433 --> 00:27:55,833
It's nice to see you.

746
00:27:55,867 --> 00:27:58,200
(chuckles)
Harris.

747
00:27:58,233 --> 00:28:00,733
David, nice to
see you again.

748
00:28:00,767 --> 00:28:01,867
Bart, hi.

749
00:28:01,900 --> 00:28:04,433
Hi. Didi,
you look great.

750
00:28:04,467 --> 00:28:05,633
Thank you--
thanks, Bart.

751
00:28:05,667 --> 00:28:07,833
Everybody,
this is Candy.

752
00:28:07,867 --> 00:28:09,467
Hello, Candy.
Hi.

753
00:28:09,500 --> 00:28:10,467
Delicious.
Edible.

754
00:28:10,500 --> 00:28:11,800
Yeah, she's edible.

755
00:28:11,833 --> 00:28:13,667
She's not
the only one.

756
00:28:13,700 --> 00:28:15,800
I don't believe I know
this young man.

757
00:28:15,833 --> 00:28:18,567
Oh, um...
This is Bart Liebowitz.

758
00:28:18,600 --> 00:28:20,067
Spencer West.

759
00:28:20,100 --> 00:28:22,833
Another one of your
discoveries, Harris?

760
00:28:22,867 --> 00:28:24,267
You're going to be
seeing him around.

761
00:28:24,300 --> 00:28:25,600
I guarantee that.

762
00:28:25,633 --> 00:28:28,767
Mr. Liebowitz, I have to say,
your action sequences

763
00:28:28,800 --> 00:28:32,200
in "Subway to Death,"
they were amazing.

764
00:28:32,233 --> 00:28:33,467
Thank you.

765
00:28:33,500 --> 00:28:35,333
Amazing is my trademark.

766
00:28:35,367 --> 00:28:37,067
Enjoy your dinner.

767
00:28:37,067 --> 00:28:38,067
Yeah, thank you.

768
00:28:38,067 --> 00:28:39,533
Nice to meet you,
Candy.

769
00:28:41,900 --> 00:28:43,333
(Spencer)
Bart Liebowitz.
Yep.

770
00:28:43,367 --> 00:28:45,067
Bart Liebowitz.
The producer?

771
00:28:45,100 --> 00:28:47,533
You worked with Bart,
didn't you?

772
00:28:47,567 --> 00:28:48,567
Twice.
Yeah.

773
00:28:48,600 --> 00:28:50,067
All of Harris' problems
in L.A.

774
00:28:50,067 --> 00:28:51,800
are because of that
little turd, okay?

775
00:28:51,833 --> 00:28:53,633
Didi.
What? I don't like him.

776
00:28:53,667 --> 00:28:55,667
I said it.
Really?

777
00:28:55,700 --> 00:28:57,833
We just didn't see eye to eye--
Just leave it at that.

778
00:28:57,867 --> 00:29:00,467
See eye to eye,
as if that could ever happen!

779
00:29:00,500 --> 00:29:02,600
Harris, that matter
that we spoke about...

780
00:29:02,633 --> 00:29:05,200
Not nice.

781
00:29:05,233 --> 00:29:07,600
It's not his fault.
Should we do something?

782
00:29:07,633 --> 00:29:09,967
He's not very tall.
That matter that
we spoke about?

783
00:29:10,067 --> 00:29:10,967
What matter?
The-- coming in the...

784
00:29:11,067 --> 00:29:12,067
Oh,
the matter!

785
00:29:12,100 --> 00:29:14,233
You head off that problem
in the bar.

786
00:29:14,267 --> 00:29:15,733
Yeah, the large--

787
00:29:15,767 --> 00:29:17,667
I will, uh, deal
with the other matter.

788
00:29:17,700 --> 00:29:19,333
Okay, I'll be
in the bar.

789
00:29:19,367 --> 00:29:20,900
Should I, um?
Oh, yes.

790
00:29:20,933 --> 00:29:23,433
Why don't you go
to the bar with David?

791
00:29:23,467 --> 00:29:24,900
Take your salad with you.

792
00:29:24,933 --> 00:29:26,067
Come with me.
I need some company.

793
00:29:26,067 --> 00:29:27,367
Come on, come on,
come on, come on.

794
00:29:27,400 --> 00:29:29,433
Bye.

795
00:29:29,467 --> 00:29:31,800
All right...

796
00:29:31,833 --> 00:29:33,867
when did this business
with Monte start?

797
00:29:33,900 --> 00:29:35,133
(sighs)

798
00:29:37,667 --> 00:29:39,100
So, you're an actor.

799
00:29:39,133 --> 00:29:41,400
Yes, sir,
Mr. Thiel.

800
00:29:41,433 --> 00:29:43,200
It's David.

801
00:29:43,233 --> 00:29:45,433
Okay, David.

802
00:29:45,467 --> 00:29:48,267
Yeah, I dream about
being onstage

803
00:29:48,300 --> 00:29:50,067
with other great
actors like you.

804
00:29:50,067 --> 00:29:54,100
Well, it's good
to have a dream.

805
00:29:54,133 --> 00:29:55,933
It'll all happen in time.

806
00:29:55,967 --> 00:30:00,567
You just have to, uh, just be
prepared to pay your dues.

807
00:30:00,600 --> 00:30:02,900
And struggle, like I did.

808
00:30:02,933 --> 00:30:05,300
My God, it was eight years
before I landed

809
00:30:05,333 --> 00:30:07,967
my first major role.

810
00:30:08,000 --> 00:30:10,500
Listen, I've got a--

811
00:30:10,533 --> 00:30:12,700
Oh, sorry.
That's okay.

812
00:30:12,733 --> 00:30:14,467
I got a big tip for you.

813
00:30:14,500 --> 00:30:18,267
Might very well be a nice push
to your career.

814
00:30:18,300 --> 00:30:20,333
Thanks.

815
00:30:20,367 --> 00:30:23,500
If you're free later,
why don't you stop by my place,

816
00:30:23,533 --> 00:30:26,600
and I can give you
that pointer.

817
00:30:26,633 --> 00:30:31,300
Oh, I've actually
got plans later.

818
00:30:33,433 --> 00:30:37,267
Harris obviously thinks
very highly of you.

819
00:30:37,300 --> 00:30:40,900
Yeah, it would be unbelievable
to act with you in something

820
00:30:40,933 --> 00:30:42,667
directed by Harris Chappell.

821
00:30:42,700 --> 00:30:43,667
Yeah?

822
00:30:43,700 --> 00:30:44,933
Would you like a drink,
Mr. Thiel?

823
00:30:44,967 --> 00:30:46,667
Oh, yeah.

824
00:30:46,700 --> 00:30:48,433
I'll have a Grey Goose
on the rocks.

825
00:30:48,467 --> 00:30:51,033
Put it on Mr. Chappell's bill
and give yourself a lavish tip,

826
00:30:51,067 --> 00:30:52,133
won't you, Ricardo?

827
00:30:52,167 --> 00:30:54,233
Thank you.
I'll just take a club soda.

828
00:30:54,267 --> 00:30:55,767
Club soda?

829
00:30:55,800 --> 00:30:57,400
Ok, make it a Moretti.

830
00:30:57,433 --> 00:31:01,133
Oh, and, Ricardo,
ask the young lady over there

831
00:31:01,167 --> 00:31:02,500
to come join us,
won't you?

832
00:31:02,533 --> 00:31:05,567
I will.

833
00:31:05,600 --> 00:31:07,533
So how do you know Harris?

834
00:31:07,567 --> 00:31:14,633
Well, I actually just met him
tonight for the first time.

835
00:31:14,667 --> 00:31:16,833
(Harris)
All right, let me
get this straight.

836
00:31:16,867 --> 00:31:19,400
I'm screwed because you
screwed this Emerson kid,

837
00:31:19,433 --> 00:31:20,633
and Monte caught you?

838
00:31:20,667 --> 00:31:22,333
Monte was supposed to be away
on business for a month.

839
00:31:22,367 --> 00:31:24,200
How was I supposed to know
he would miss me so much

840
00:31:24,233 --> 00:31:25,700
that he came back
two days early?

841
00:31:25,733 --> 00:31:27,100
(harsh whisper)
I was depending on you.

842
00:31:27,133 --> 00:31:29,700
Emerson is the answer
to all of your problems.

843
00:31:29,733 --> 00:31:31,733
He makes Monte look
like a piker.

844
00:31:31,767 --> 00:31:34,533
A piker?
Really?

845
00:31:34,567 --> 00:31:36,067
Would I leave you hanging?

846
00:31:38,067 --> 00:31:39,500
All right, I'll bite.

847
00:31:39,533 --> 00:31:40,800
How much?

848
00:31:40,833 --> 00:31:44,200
75 million.

849
00:31:44,233 --> 00:31:46,233
Sweet...Jesus!

850
00:31:48,533 --> 00:31:50,100
How did he make it?

851
00:31:50,133 --> 00:31:51,633
The internet.

852
00:31:51,667 --> 00:31:53,500
The internet!

853
00:31:55,300 --> 00:31:56,633
I swear, the minute
he meets you,

854
00:31:56,667 --> 00:31:59,433
he is going to be
throwing money at you.

855
00:31:59,467 --> 00:32:01,967
All you have to do is offer
to let him read

856
00:32:02,067 --> 00:32:03,633
for a tiny
part in the play.

857
00:32:03,667 --> 00:32:04,833
I found out that
before he made

858
00:32:04,867 --> 00:32:06,233
all that gorgeous
money on the internet,

859
00:32:06,267 --> 00:32:08,067
he was in acting class.

860
00:32:08,067 --> 00:32:10,100
I love this kid,
I love the internet,

861
00:32:10,133 --> 00:32:12,100
I love his
entrepreneurial spirit.

862
00:32:12,133 --> 00:32:15,400
Okay, he's going to meet us here
at 7:00 for dessert.

863
00:32:15,433 --> 00:32:16,400
Oh, oh, great.

864
00:32:16,433 --> 00:32:18,067
Is he bringing a check?

865
00:32:18,067 --> 00:32:20,267
Well, that could take
a day or two.

866
00:32:20,300 --> 00:32:22,067
Well, I can wait.

867
00:32:22,067 --> 00:32:26,867
I love you,
Didi Ravenal hyphen Todd.

868
00:32:26,900 --> 00:32:29,967
Yeah, not enough to marry me.

869
00:32:30,067 --> 00:32:32,100
(chuckles)
Who said I'm marrying Emerson?

870
00:32:32,133 --> 00:32:33,500
75 million?

871
00:32:33,533 --> 00:32:35,633
Not to sound like a bad line
from a Bart Liebowitz movie,

872
00:32:35,667 --> 00:32:38,433
but if you
don't, I will.

873
00:32:41,767 --> 00:32:43,733
I should have married you.

874
00:32:43,767 --> 00:32:45,700
Yes, you should have.

875
00:32:50,067 --> 00:32:52,400
Want to get married now?

876
00:32:52,433 --> 00:32:53,933
Harris!

877
00:32:53,967 --> 00:32:55,900
We can wait until after
the kid's check clears.

878
00:32:55,933 --> 00:32:57,167
I am not going to marry you.

879
00:32:57,200 --> 00:32:58,733
Come on.
Why not?

880
00:32:58,767 --> 00:32:59,800
Because it's too late.

881
00:32:59,833 --> 00:33:03,167
You blew it.

882
00:33:03,200 --> 00:33:07,467
**

883
00:33:12,433 --> 00:33:14,500
You'll always be the love
of my life.

884
00:33:18,233 --> 00:33:20,833
I know.

885
00:33:20,867 --> 00:33:24,500
(tires screeching,
car horns honking)

886
00:33:27,900 --> 00:33:30,933
Hello, Mr. Lind.

887
00:33:30,967 --> 00:33:32,600
Who is that?

888
00:33:32,633 --> 00:33:33,667
I don't know.

889
00:33:44,067 --> 00:33:46,467
Oh.

890
00:33:46,500 --> 00:33:47,733
Larry Lind is walking this way.

891
00:33:47,767 --> 00:33:50,167
He's in disguise--
act natural.

892
00:33:56,167 --> 00:33:58,567
Um...

893
00:33:58,600 --> 00:34:00,633
Hey, Larry.

894
00:34:00,667 --> 00:34:02,067
What a pleasant surprise.

895
00:34:02,067 --> 00:34:05,333
We need to talk.

896
00:34:05,367 --> 00:34:06,767
And hello to you.

897
00:34:06,800 --> 00:34:08,767
Oh, Didi.

898
00:34:08,800 --> 00:34:10,867
I didn't realize that you two
were a couple again.

899
00:34:10,900 --> 00:34:12,467
No, no, we're not.

900
00:34:12,500 --> 00:34:14,167
Ah, I'm glad to know
that you haven't made

901
00:34:14,200 --> 00:34:15,967
the same mistake
three times.

902
00:34:16,067 --> 00:34:17,800
I don't think I like
your sarcasm.

903
00:34:17,833 --> 00:34:19,367
Well, I don't like
your bloody script.

904
00:34:19,400 --> 00:34:20,733
Oh...

905
00:34:20,767 --> 00:34:22,300
Do we have to talk
about this now?

906
00:34:22,333 --> 00:34:23,367
Yes.

907
00:34:23,400 --> 00:34:24,500
Can't it wait till tomorrow?

908
00:34:24,533 --> 00:34:25,633
We're having dinner.

909
00:34:25,667 --> 00:34:26,800
We have an opening
in less than an hour.

910
00:34:26,833 --> 00:34:27,800
An opening?
For what?

911
00:34:27,833 --> 00:34:29,567
"Plastic, Please: The Musical."

912
00:34:29,600 --> 00:34:31,467
What in bloody hell is
"Plastic, Please: The Musical?"

913
00:34:31,500 --> 00:34:32,900
It's a musical
about the environment.

914
00:34:32,933 --> 00:34:33,900
It's a satire.

915
00:34:33,933 --> 00:34:34,900
A friend of mine
is directing it.

916
00:34:34,933 --> 00:34:37,167
We have to go.
Oh, surely you jest!

917
00:34:37,200 --> 00:34:39,100
I mean,
you loathe musicals.

918
00:34:39,133 --> 00:34:40,167
You always have.

919
00:34:40,200 --> 00:34:42,067
So David Thiel says
he wants to talk to me?

920
00:34:42,100 --> 00:34:45,067
That's right.

921
00:34:45,067 --> 00:34:46,333
Hmm.

922
00:34:46,367 --> 00:34:47,667
Easy.

923
00:34:47,700 --> 00:34:49,267
It is supposed to be
very good.

924
00:34:49,300 --> 00:34:51,667
Yes, and people are very
concerned about the environment.

925
00:34:51,700 --> 00:34:53,567
Mm-hmm.
Global warming, fossil fuels.

926
00:34:53,600 --> 00:34:55,367
Cows farting.
Cows farting?

927
00:34:55,400 --> 00:34:57,633
Cow farting--
huge problem.

928
00:34:57,667 --> 00:35:00,267
I don't give a damn about cows
farting or the environment.

929
00:35:00,300 --> 00:35:02,267
A lot of people do, Larry,
a lot of people do.

930
00:35:02,300 --> 00:35:03,967
How's everybody
doing here, huh?

931
00:35:04,067 --> 00:35:06,333
Surely you're not going
to this ridiculous musical?

932
00:35:06,367 --> 00:35:08,300
I gave him your ticket,
I'm sorry.

933
00:35:08,333 --> 00:35:11,433
I'm here to talk to talk
about our play.

934
00:35:11,467 --> 00:35:15,100
All right, I'm going to go
into the bar and join Spencer.

935
00:35:15,133 --> 00:35:17,267
(Didi)
Harris?
Yes?

936
00:35:17,300 --> 00:35:19,533
Please remember that Emerson
will be here at 7:00.

937
00:35:19,567 --> 00:35:20,567
Oh, I will, thank you.

938
00:35:20,600 --> 00:35:21,900
Oh, yes.

939
00:35:21,933 --> 00:35:24,367
Could you take my salad,
because I've lost my appetite.

940
00:35:24,400 --> 00:35:25,533
Thank you.

941
00:35:25,567 --> 00:35:26,567
Who's Emerson?

942
00:35:26,600 --> 00:35:27,933
Emerson is putting up
the money

943
00:35:27,967 --> 00:35:29,167
to produce the play.

944
00:35:29,200 --> 00:35:30,733
Whatever happened
to Monte what's his name?

945
00:35:30,767 --> 00:35:33,867
Monte Sobel?
He's dead.

946
00:35:33,900 --> 00:35:35,067
Dead?

947
00:35:35,067 --> 00:35:36,233
He's dead.

948
00:35:36,267 --> 00:35:37,633
Dead?
He's dead.

949
00:35:37,667 --> 00:35:38,700
Dead?

950
00:35:38,733 --> 00:35:40,367
He's dead.

951
00:35:42,667 --> 00:35:45,133
Thank you.
Dead.

952
00:35:45,167 --> 00:35:47,467
Spencer, may I join you?

953
00:35:47,500 --> 00:35:49,467
Please, yeah.

954
00:35:49,500 --> 00:35:50,733
Feel like I'm at a buffet.

955
00:35:50,767 --> 00:35:52,467
I know what you mean.

956
00:35:52,500 --> 00:35:53,600
Do you need a drink?

957
00:35:53,633 --> 00:35:54,967
What do you think?

958
00:35:55,067 --> 00:35:57,067
I'm Nikki Ross.

959
00:35:57,067 --> 00:35:58,067
Spencer.

960
00:35:58,067 --> 00:36:00,267
Oh, you two know each other?

961
00:36:00,300 --> 00:36:02,967
Yeah, we met earlier, actually,
in the men's room.

962
00:36:03,067 --> 00:36:04,067
Really?

963
00:36:04,067 --> 00:36:06,467
Yeah, she followed me in.

964
00:36:06,500 --> 00:36:08,567
Are you out
of your mind?

965
00:36:08,600 --> 00:36:10,067
Malcolm Andrews is dead,

966
00:36:10,067 --> 00:36:11,500
so he can't make changes
in the script.

967
00:36:11,533 --> 00:36:13,733
I've already spoken
to Matthew Wolfe,

968
00:36:13,767 --> 00:36:15,100
who told me that
he has the authority

969
00:36:15,133 --> 00:36:16,300
to make limited
changes.

970
00:36:16,333 --> 00:36:19,100
Matthew Wolfe is an attorney,
he's not a playwright.

971
00:36:19,133 --> 00:36:20,900
Exactly, which is
why he's going to let me

972
00:36:20,933 --> 00:36:23,067
make the rewrites
where necessary.

973
00:36:23,067 --> 00:36:25,500
Let you...
Let us.

974
00:36:25,533 --> 00:36:26,633
For how much?

975
00:36:26,667 --> 00:36:28,400
Oh, for a few points
on the deal.

976
00:36:28,433 --> 00:36:31,600
By the way, I'll need a few
things added to my contract

977
00:36:31,633 --> 00:36:34,167
before I sign.

978
00:36:34,200 --> 00:36:38,267
This is the name
of my personal trainer,

979
00:36:38,300 --> 00:36:40,800
and this is
my nap schedule

980
00:36:40,833 --> 00:36:44,600
so that you can build
your rehearsals around it.

981
00:36:44,633 --> 00:36:46,500
Oh, and here are my menus
for lunch and dinner

982
00:36:46,533 --> 00:36:48,067
for the first
two weeks.

983
00:36:48,067 --> 00:36:49,867
Nothing for breakfast?

984
00:36:49,900 --> 00:36:52,067
Oh, double burger,
Martell,

985
00:36:52,067 --> 00:36:53,333
gray or black tea
will be fine,

986
00:36:53,367 --> 00:36:55,967
with either a scone
or a Cinnabon.

987
00:36:56,067 --> 00:36:57,667
Cinnabon?
Warmed.

988
00:36:57,700 --> 00:37:00,067
Warmed?
But not hot.

989
00:37:00,100 --> 00:37:04,300
Not...hot.

990
00:37:06,433 --> 00:37:07,500
Anything else?

991
00:37:07,533 --> 00:37:11,400
One last item.

992
00:37:11,433 --> 00:37:16,067
I insist on final
script approval.

993
00:37:16,100 --> 00:37:17,767
(silence)

994
00:37:20,500 --> 00:37:22,567
Excuse me.

995
00:37:26,567 --> 00:37:29,100
He didn't like that.

996
00:37:29,133 --> 00:37:30,500
He didn't like it.

997
00:37:30,533 --> 00:37:33,500
I think it's just fine.

998
00:37:33,533 --> 00:37:36,167
It's just fine, Larry.
Just...

999
00:37:36,200 --> 00:37:38,967
(car horns)

1000
00:37:40,833 --> 00:37:43,333
Wolfie,
this is Harris Chappell.

1001
00:37:43,367 --> 00:37:45,667
Hey,
great to hear your voice.

1002
00:37:45,700 --> 00:37:47,600
What the hell is going on
with you and Larry Lind?

1003
00:37:47,633 --> 00:37:48,600
What do you mean?

1004
00:37:48,633 --> 00:37:50,100
What do I mean?
What do I mean?

1005
00:37:50,133 --> 00:37:52,700
Wolfie, you give him
script approval?

1006
00:37:52,733 --> 00:37:53,867
(door creaking, footsteps)
Hey, Ma!

1007
00:37:53,900 --> 00:37:55,567
Ma, a little privacy, huh?

1008
00:37:55,600 --> 00:37:58,100
Close the door,
why can't you?

1009
00:37:58,133 --> 00:38:00,400
He said you agreed to it.

1010
00:38:00,433 --> 00:38:02,800
Wolfie, how long have you
and I known each other?

1011
00:38:02,833 --> 00:38:05,267
Since camp,
since I was ten.

1012
00:38:05,300 --> 00:38:07,067
Uh-huh.
When did you get stupid?

1013
00:38:07,100 --> 00:38:09,133
So, Miss Ross, what is it
you do for a living?

1014
00:38:09,167 --> 00:38:11,433
I'm a writer for the "Post."

1015
00:38:11,467 --> 00:38:13,433
Oh, of course.

1016
00:38:13,467 --> 00:38:14,833
I knew your name sounded
familiar.

1017
00:38:14,867 --> 00:38:17,067
You read my column?
Oh, no.

1018
00:38:17,067 --> 00:38:19,767
I have birds.

1019
00:38:19,800 --> 00:38:21,633
I didn't know you were
a reporter.

1020
00:38:21,667 --> 00:38:23,667
Something you neglected
to tell Spencer?

1021
00:38:23,700 --> 00:38:25,567
No, no,
it's not a secret...

1022
00:38:25,600 --> 00:38:28,800
like some other things
around here.

1023
00:38:28,833 --> 00:38:30,400
All right, so we
understand each other.

1024
00:38:30,433 --> 00:38:33,133
Absolutely, Larry gets no script
approval whatsoever.

1025
00:38:33,167 --> 00:38:34,900
Correct.

1026
00:38:34,933 --> 00:38:35,933
And you have the right
to make changes to the script

1027
00:38:35,967 --> 00:38:37,167
as you see fit.

1028
00:38:37,200 --> 00:38:38,433
And I get three points
in the deal.

1029
00:38:38,467 --> 00:38:39,600
You get two points.

1030
00:38:39,633 --> 00:38:41,067
I'm typing as we speak.

1031
00:38:41,067 --> 00:38:43,367
I'll have that paperwork to you
on Monday morning, my friend.

1032
00:38:43,400 --> 00:38:45,267
No, no, no.
I don't want it Monday morning.

1033
00:38:45,300 --> 00:38:46,433
I need it now.

1034
00:38:46,467 --> 00:38:47,467
Get it to the restaurant
in 30 minutes.

1035
00:38:47,500 --> 00:38:48,467
But, Harris...

1036
00:38:48,500 --> 00:38:49,833
Just put it in the form
of a deal memo.

1037
00:38:49,867 --> 00:38:53,833
We'll change it next week.

1038
00:38:53,867 --> 00:38:56,633
Ma,
I'm going out.

1039
00:38:56,667 --> 00:38:59,067
Oh, God.

1040
00:38:59,100 --> 00:39:00,767
He's coming around.

1041
00:39:00,800 --> 00:39:01,867
Here he comes.
Here he comes.

1042
00:39:01,900 --> 00:39:03,600
Here he comes.

1043
00:39:07,767 --> 00:39:09,367
This is turning into
a story conference.

1044
00:39:09,400 --> 00:39:10,733
Who were you talking to?

1045
00:39:10,767 --> 00:39:12,200
I was just trying
to manage you a ticket

1046
00:39:12,233 --> 00:39:13,367
for tonight's
performance.

1047
00:39:13,400 --> 00:39:14,567
Perhaps you'll reconsider.

1048
00:39:14,600 --> 00:39:16,300
Are you insane?

1049
00:39:16,333 --> 00:39:18,100
What has Hollywood
done to you?

1050
00:39:18,133 --> 00:39:20,433
Nothing that "The Life and Loves
of Jackson Sweetwater" won't--

1051
00:39:20,467 --> 00:39:22,267
"Life and Times,"
not "The Life and Loves."

1052
00:39:22,300 --> 00:39:24,133
That title needs work.

1053
00:39:24,167 --> 00:39:27,400
Work?
What else needs work?

1054
00:39:27,433 --> 00:39:30,400
Well, there are elemental
character changes required.

1055
00:39:30,433 --> 00:39:31,467
Required?

1056
00:39:31,500 --> 00:39:33,567
You should hear him out.

1057
00:39:33,600 --> 00:39:35,733
Of course...
Well, as I see it,
David is playing the role

1058
00:39:35,767 --> 00:39:37,233
of the autobiographer,

1059
00:39:37,267 --> 00:39:38,733
which ,of course,
is a great a role

1060
00:39:38,767 --> 00:39:40,733
and could earn him a Tony.

1061
00:39:40,767 --> 00:39:42,467
I couldn't agree more.

1062
00:39:42,500 --> 00:39:44,333
What I'm having
a problem with is that

1063
00:39:44,367 --> 00:39:46,133
all the men that
cross my path

1064
00:39:46,167 --> 00:39:49,067
as I tell the story of the life
of Jackson Sweetwater

1065
00:39:49,100 --> 00:39:51,867
seem, how shall I put it,
similar.

1066
00:39:51,900 --> 00:39:53,133
Similar?
The same.

1067
00:39:53,167 --> 00:39:54,433
I know what similar means.

1068
00:39:54,467 --> 00:39:56,067
What I'm suggesting is that

1069
00:39:56,100 --> 00:39:58,267
should not some
of those men be gay?

1070
00:39:58,300 --> 00:40:00,067
Gay?
Yes, gay.

1071
00:40:02,067 --> 00:40:03,133
Flaming?

1072
00:40:03,167 --> 00:40:04,133
No, not flaming.

1073
00:40:04,167 --> 00:40:05,800
Not flaming?
No.

1074
00:40:05,833 --> 00:40:07,967
Low-key, dignified.

1075
00:40:08,000 --> 00:40:09,633
(Harris)
Low-key, dignified.

1076
00:40:09,667 --> 00:40:13,867
Let me ask you a question.

1077
00:40:13,900 --> 00:40:16,900
How many low-key, dignified,
gay coal miners were there

1078
00:40:16,933 --> 00:40:18,600
in Pittsburg in 1920?

1079
00:40:18,633 --> 00:40:21,367
Oh, I'll bet Pittsburg was
a hotbed for repressed gay sex.
Do you think?

1080
00:40:21,400 --> 00:40:23,633
Well,
"Brokeback Mountain."

1081
00:40:23,667 --> 00:40:25,000
Mm.

1082
00:40:25,033 --> 00:40:26,700
I saw it three times.
Really?

1083
00:40:26,733 --> 00:40:29,633
I do think that this modest
alteration to the script will

1084
00:40:29,667 --> 00:40:31,800
make my character
that much more compelling,

1085
00:40:31,833 --> 00:40:33,933
which is what
this play needs.

1086
00:40:33,967 --> 00:40:35,267
More compelling.

1087
00:40:35,300 --> 00:40:38,633
Yes, I'm totally committed
to this, and so is David.

1088
00:40:38,667 --> 00:40:40,900
I think that Larry has really
got something here.

1089
00:40:40,933 --> 00:40:42,167
All right, all right.

1090
00:40:42,200 --> 00:40:45,900
So we have eight male
speaking parts, all right?

1091
00:40:45,933 --> 00:40:50,167
Now, would one low-key,
dignified, gay coal miner

1092
00:40:50,200 --> 00:40:51,700
satisfy you two?

1093
00:40:51,733 --> 00:40:54,067
Offhand, I'd say
at least two.

1094
00:40:54,100 --> 00:40:55,067
Oh, so you want two?
Or three.

1095
00:40:55,100 --> 00:40:56,167
Oh, you want three?

1096
00:40:59,600 --> 00:41:02,367
Now, you reali--

1097
00:41:02,400 --> 00:41:03,833
(laughs)

1098
00:41:03,867 --> 00:41:06,533
This is Malcolm Andrews
we are talking about.

1099
00:41:06,567 --> 00:41:10,967
This is a multiple Pulitzer
Prize-winning author.

1100
00:41:11,067 --> 00:41:14,267
This is a guy shortlisted
for the Nobel.

1101
00:41:14,300 --> 00:41:15,267
Oh, he was old!

1102
00:41:15,300 --> 00:41:17,467
Out of his mind when he died.

1103
00:41:17,500 --> 00:41:19,267
Understand this, Harris.

1104
00:41:19,300 --> 00:41:21,767
Without those changes, you
do not have Lawrence Lind

1105
00:41:21,800 --> 00:41:23,267
in this production.

1106
00:41:23,300 --> 00:41:24,933
Larry...

1107
00:41:24,967 --> 00:41:29,167
And without Lawrence Lind,
you have no production.

1108
00:41:29,200 --> 00:41:31,867
I shall expect to hear
from you tomorrow morning.

1109
00:41:35,333 --> 00:41:38,233
Jesus, Harris,
you know we need him.

1110
00:41:38,267 --> 00:41:40,400
Oh, go fuck yourself.

1111
00:41:42,067 --> 00:41:45,067
Didi, Harris wants you back
at the table.

1112
00:41:45,067 --> 00:41:47,200
He just needs to talk to her
alone for a few minutes.

1113
00:41:47,233 --> 00:41:50,400
Oh, that means I get a few
minutes alone Spencer.

1114
00:41:50,433 --> 00:41:53,867
Oh, you lucky girl, you.

1115
00:41:53,900 --> 00:41:54,967
I need a drink.

1116
00:41:55,067 --> 00:41:57,833
Ricardo, Goose me,
please.

1117
00:42:00,700 --> 00:42:02,767
What? What?

1118
00:42:02,800 --> 00:42:04,567
Oh, we have a problem.

1119
00:42:04,600 --> 00:42:05,600
Larry?

1120
00:42:05,633 --> 00:42:07,067
Larry!

1121
00:42:07,067 --> 00:42:09,133
He's being a royal pain
in the ass.

1122
00:42:09,167 --> 00:42:13,233
But he sells tickets,
and that's what it's all about.

1123
00:42:18,533 --> 00:42:19,833
Asshole.

1124
00:42:19,867 --> 00:42:22,267
(whispering)
Motherfucker.

1125
00:42:22,300 --> 00:42:25,133
(whispering)
Cocksucker.

1126
00:42:25,167 --> 00:42:27,733
Got us over a barrel.

1127
00:42:27,767 --> 00:42:30,933
Prima donna,
self-important, fuckhead

1128
00:42:30,967 --> 00:42:33,933
motherfucker, A.A.R.P.
geriatric piece of--

1129
00:42:33,967 --> 00:42:36,433
(woman)
Hi, Didi!

1130
00:42:36,467 --> 00:42:38,700
Hi.

1131
00:42:38,733 --> 00:42:40,800
(Nikki)
Come on, David,

1132
00:42:40,833 --> 00:42:43,067
who was that with you
at Chappell's table?

1133
00:42:43,100 --> 00:42:44,833
What are you drinking,
scotch?

1134
00:42:44,867 --> 00:42:48,200
Spencer, do you know
who that was?

1135
00:42:48,233 --> 00:42:51,367
Come on, why are you
pumping the kid?

1136
00:42:51,400 --> 00:42:52,933
Excuse me.

1137
00:42:54,967 --> 00:42:56,100
You deserved that.

1138
00:42:56,133 --> 00:42:58,067
Come on,
I need this story.

1139
00:43:01,667 --> 00:43:03,067
Hey, how's everything going?

1140
00:43:03,067 --> 00:43:05,633
Everything's fine.

1141
00:43:05,667 --> 00:43:08,400
How long have you been
working here?

1142
00:43:08,433 --> 00:43:11,067
Since my junior year
in high school.

1143
00:43:11,067 --> 00:43:13,467
I needed to make my own money
for acting classes.

1144
00:43:13,500 --> 00:43:15,067
Your parents won't
help you out?

1145
00:43:15,067 --> 00:43:18,067
No.

1146
00:43:18,067 --> 00:43:19,767
They want me to be
a teacher.

1147
00:43:19,800 --> 00:43:21,200
Oh.

1148
00:43:21,233 --> 00:43:23,633
I guess that's what you're
studying in school?

1149
00:43:23,667 --> 00:43:26,200
Yeah-- no.

1150
00:43:26,233 --> 00:43:28,667
I'm taking liberal arts, but my
parents are pretty focused

1151
00:43:28,700 --> 00:43:30,733
on what they want me to do
with my life.

1152
00:43:30,767 --> 00:43:32,067
Not acting, I guess.

1153
00:43:32,100 --> 00:43:33,067
No.

1154
00:43:33,100 --> 00:43:34,167
Have you done anything?

1155
00:43:34,200 --> 00:43:36,367
Yeah, a few workshops.

1156
00:43:36,400 --> 00:43:38,067
I played the Duchess
of Gloucester

1157
00:43:38,100 --> 00:43:39,567
in "Henry VI: Part Two,"

1158
00:43:39,600 --> 00:43:41,300
even though she's not
in it very long.

1159
00:43:41,333 --> 00:43:42,767
Eleanor?
Yeah!

1160
00:43:42,800 --> 00:43:45,800
She's got that scene at the end
where she's walking barefoot

1161
00:43:45,833 --> 00:43:48,600
with the sheet on,
right before she's banished.

1162
00:43:48,633 --> 00:43:49,867
Right?
Yeah, yeah.

1163
00:43:49,900 --> 00:43:52,733
It's a very,
very powerful scene.

1164
00:43:52,767 --> 00:43:56,733
I also had a small part in that
Beckett play at The Public,

1165
00:43:56,767 --> 00:43:59,300
and I did summer stock
last year.

1166
00:43:59,333 --> 00:44:00,833
You taking classes
with anyone?

1167
00:44:00,867 --> 00:44:02,167
Yeah, Mark McQueen.

1168
00:44:02,200 --> 00:44:04,567
He's supposed to be
really good, right?

1169
00:44:04,600 --> 00:44:07,133
Yeah, and expensive.

1170
00:44:10,100 --> 00:44:13,900
Maybe someday we'll do
a workshop together.

1171
00:44:13,933 --> 00:44:15,967
Yeah, I'd like that.

1172
00:44:16,067 --> 00:44:18,067
Sir, I'm about to serve
your main course.

1173
00:44:18,100 --> 00:44:20,967
Oh, yeah,
I'll be right there.

1174
00:44:21,067 --> 00:44:22,933
I think I have to go.

1175
00:44:22,967 --> 00:44:25,933
What are you doing
later tonight?

1176
00:44:25,967 --> 00:44:28,733
Oh, um...

1177
00:44:28,767 --> 00:44:31,933
(Spencer)
I think that I have plans.

1178
00:44:31,967 --> 00:44:35,133
Maybe another time.

1179
00:44:35,167 --> 00:44:37,600
Yeah, that'd be sweet.

1180
00:44:37,633 --> 00:44:39,567
Sweet.

1181
00:44:39,600 --> 00:44:41,300
All right.

1182
00:44:41,333 --> 00:44:42,900
Who's the lead
in Harris' play?

1183
00:44:42,933 --> 00:44:45,167
Can't say.

1184
00:44:45,200 --> 00:44:46,733
Oh, come on.

1185
00:44:46,767 --> 00:44:48,800
Help a girl out.

1186
00:44:48,833 --> 00:44:51,600
We're both
in the same business.

1187
00:44:54,933 --> 00:44:57,533
What am I going to do.

1188
00:44:57,567 --> 00:44:59,267
Mr. Chappell,
Peter suggests this--

1189
00:44:59,300 --> 00:45:03,900
Yes, that's fine,
thank you.

1190
00:45:03,933 --> 00:45:05,333
I don't know what
he wants from you.

1191
00:45:05,367 --> 00:45:07,967
No, no, no, let's--
let's go.

1192
00:45:10,367 --> 00:45:11,900
Thank you.

1193
00:45:13,700 --> 00:45:16,133
Thank you.

1194
00:45:16,167 --> 00:45:19,367
It's good, Nicholas.

1195
00:45:19,400 --> 00:45:22,300
What an asshole.

1196
00:45:22,333 --> 00:45:25,700
Oh.

1197
00:45:25,733 --> 00:45:27,067
Thank you.

1198
00:45:27,067 --> 00:45:28,067
You're welcome.

1199
00:45:28,100 --> 00:45:29,200
It's a nice wine.

1200
00:45:29,233 --> 00:45:30,233
Are you a wine fan?

1201
00:45:30,267 --> 00:45:32,367
I am now.

1202
00:45:32,400 --> 00:45:33,500
Cheers.
Salute, everybody.

1203
00:45:33,533 --> 00:45:34,500
Cheers.

1204
00:45:34,533 --> 00:45:37,367
Cheers.
Thank you.

1205
00:45:37,400 --> 00:45:39,233
Oh, hey.

1206
00:45:39,267 --> 00:45:40,300
Sorry I'm a little late.

1207
00:45:40,333 --> 00:45:42,100
You're not late,
is he, Harris?

1208
00:45:42,133 --> 00:45:44,867
No, no, we haven't even
ordered dessert yet.

1209
00:45:44,900 --> 00:45:46,167
I'm Emerson Todd.

1210
00:45:46,200 --> 00:45:47,333
I'm Harris Chappell.

1211
00:45:47,367 --> 00:45:49,867
It's really wonderful
to meet you finally.

1212
00:45:49,900 --> 00:45:51,233
She talks about you
day and night.

1213
00:45:51,267 --> 00:45:52,733
It is an honor
to meet someone

1214
00:45:52,767 --> 00:45:54,233
of your stature
in the theater.

1215
00:45:54,267 --> 00:45:55,733
You're very,
very kind.

1216
00:45:55,767 --> 00:45:57,333
Would you mind
checking his coat?

1217
00:45:57,367 --> 00:45:59,667
Emerson Todd.
Spencer West.

1218
00:45:59,700 --> 00:46:00,900
It's nice to meet you,
Spencer.

1219
00:46:00,933 --> 00:46:04,267
Have a seat here.

1220
00:46:04,300 --> 00:46:08,067
I am so curious
as to your success

1221
00:46:08,100 --> 00:46:11,067
at such a young age,
if you don't mind telling me.

1222
00:46:11,067 --> 00:46:14,300
Not at all.

1223
00:46:14,333 --> 00:46:17,733
Well, I had a germ
of an idea

1224
00:46:17,767 --> 00:46:19,433
I thought might work
on the internet,

1225
00:46:19,467 --> 00:46:22,533
after seeing Match.com
and eHarmony

1226
00:46:22,567 --> 00:46:24,567
grow into
billion-dollar companies.

1227
00:46:24,600 --> 00:46:26,433
So I did some research.

1228
00:46:26,467 --> 00:46:28,967
Came up with a way to take
the best elements of those sites

1229
00:46:29,067 --> 00:46:31,800
and utilize them in a site
with a unique niche.

1230
00:46:31,833 --> 00:46:34,733
Unique is very good.

1231
00:46:34,767 --> 00:46:36,700
I told you, he's
brilliant, Harris.

1232
00:46:36,733 --> 00:46:38,500
All right, well,
dazzle me.

1233
00:46:38,533 --> 00:46:40,800
Short people.

1234
00:46:40,833 --> 00:46:42,433
What?

1235
00:46:42,467 --> 00:46:43,600
Short people.

1236
00:46:43,633 --> 00:46:45,333
You need to tell him
the name of your site.

1237
00:46:45,367 --> 00:46:47,100
It's called Short.com.

1238
00:46:47,133 --> 00:46:48,533
Oh, that's interesting,
isn't it?

1239
00:46:48,567 --> 00:46:50,500
I've already licensed Randy
Newman's song "Short People."

1240
00:46:50,533 --> 00:46:51,700
Whose?
Randy Newman.

1241
00:46:51,733 --> 00:46:53,067
I like him.
Randy Newman is good.

1242
00:46:53,067 --> 00:46:54,433
Just imagine this,
Harris,

1243
00:46:54,467 --> 00:46:57,633
because there are so many short
people in the world, you know.

1244
00:46:57,667 --> 00:47:00,333
See, internet dating is huge.

1245
00:47:00,367 --> 00:47:01,700
The way I see it,

1246
00:47:01,733 --> 00:47:03,500
short people deserve
companionship

1247
00:47:03,533 --> 00:47:05,167
as much as
anyone else.

1248
00:47:05,200 --> 00:47:07,467
Companionship is
very important.

1249
00:47:07,500 --> 00:47:10,333
Everyone wants to find
that special someone.

1250
00:47:10,367 --> 00:47:12,067
Everyone does.

1251
00:47:12,067 --> 00:47:13,633
There is no one who would
disagree with you,

1252
00:47:13,667 --> 00:47:15,333
tall or short.

1253
00:47:15,367 --> 00:47:16,433
I knew you'd get it.

1254
00:47:16,467 --> 00:47:18,067
Now, wait, Emerson's
not talking midgets.

1255
00:47:18,067 --> 00:47:20,167
No, no, no!
Not talking midgets.

1256
00:47:20,200 --> 00:47:21,767
No midgets.

1257
00:47:21,800 --> 00:47:25,867
Personally, I think midget
dating would be tasteless.

1258
00:47:25,900 --> 00:47:28,767
Could be considered
insensitive, even.

1259
00:47:28,800 --> 00:47:32,233
(Didi)
But you know, maybe
just down the road.

1260
00:47:32,267 --> 00:47:33,467
You know, something--

1261
00:47:33,500 --> 00:47:35,133
Well, how short
do you have to be?

1262
00:47:35,167 --> 00:47:37,067
Uh, well...

1263
00:47:37,067 --> 00:47:38,233
That's a good question.

1264
00:47:38,267 --> 00:47:39,867
I'm still refining
the height...

1265
00:47:39,900 --> 00:47:40,900
Oh, sure.

1266
00:47:40,933 --> 00:47:42,867
...restrictions.

1267
00:47:42,900 --> 00:47:46,100
But I'm thinking under
five feet for females...

1268
00:47:46,133 --> 00:47:47,867
Petite.
5'2" for guys.

1269
00:47:47,900 --> 00:47:50,633
(Harris)
So if I were to be
on the internet, let's say,

1270
00:47:50,667 --> 00:47:53,667
and I'm typing along,
and I just go--

1271
00:47:53,700 --> 00:47:55,367
Because I have a computer.

1272
00:47:55,400 --> 00:48:00,100
If I were just to go
to Short.com, I would just...

1273
00:48:00,133 --> 00:48:02,333
You'd find nothing
at the moment.

1274
00:48:02,367 --> 00:48:03,333
What do you mean
I would find nothing?

1275
00:48:03,367 --> 00:48:04,767
Tell him more,
sweetheart.

1276
00:48:04,800 --> 00:48:07,933
Well, I was purchased by
a pretty big company.

1277
00:48:07,967 --> 00:48:10,067
Pretty big.

1278
00:48:10,067 --> 00:48:11,733
So my new partners have
closed the site temporarily

1279
00:48:11,767 --> 00:48:13,300
so we could do
some work on it.

1280
00:48:13,333 --> 00:48:14,533
I see.

1281
00:48:14,567 --> 00:48:16,233
But they've already
committed over $3 million

1282
00:48:16,267 --> 00:48:17,400
just for upgrades alone.

1283
00:48:17,433 --> 00:48:18,800
So, if I-- And I
don't mean to be rude

1284
00:48:18,833 --> 00:48:20,833
in any way when
I ask you this--

1285
00:48:20,867 --> 00:48:22,700
I'd just assume
that you probably

1286
00:48:22,733 --> 00:48:25,400
don't have any
money yet.

1287
00:48:25,433 --> 00:48:27,333
Well...
No, see...

1288
00:48:27,367 --> 00:48:29,267
(laughter)

1289
00:48:29,300 --> 00:48:30,833
It's fine.
Uh-uh, no.

1290
00:48:30,867 --> 00:48:32,533
The investors...
I, uh...

1291
00:48:32,567 --> 00:48:35,233
His investors...

1292
00:48:35,267 --> 00:48:36,900
They gave me a down payment.

1293
00:48:36,933 --> 00:48:39,433
Yeah, an advance.

1294
00:48:39,467 --> 00:48:42,100
20%.

1295
00:48:42,133 --> 00:48:44,967
Which is...

1296
00:48:48,733 --> 00:48:50,700
$15 million.

1297
00:48:50,733 --> 00:48:52,167
But anyway--

1298
00:48:52,200 --> 00:48:56,533
What?
$15 million cash.

1299
00:48:56,567 --> 00:48:58,600
(Harris)
Champagne!

1300
00:48:58,633 --> 00:49:00,267
Something has happen?
That's for sure.

1301
00:49:00,300 --> 00:49:02,067
Oh, Jesus,
what now?

1302
00:49:02,100 --> 00:49:05,100
Champagne!
Champagne over here!

1303
00:49:07,700 --> 00:49:09,300
Champagne.

1304
00:49:09,333 --> 00:49:11,433
Atta boy.

1305
00:49:11,467 --> 00:49:13,533
Atta boy.
Exciting, right?

1306
00:49:13,567 --> 00:49:15,067
Are you hungry at all?
No.

1307
00:49:15,067 --> 00:49:16,767
(Didi)
What would you do
if you just opened a letter

1308
00:49:16,800 --> 00:49:18,633
and it said $15 million?

1309
00:49:18,667 --> 00:49:22,367
I would produce "The Life and
Times of Jackson Sweetwater."

1310
00:49:22,400 --> 00:49:26,267
(laughter, applause)

1311
00:49:26,300 --> 00:49:27,600
So explain to me
with the midgets...

1312
00:49:27,633 --> 00:49:29,433
No, no, no, it's not--

1313
00:49:29,467 --> 00:49:31,633
It's nothing to do
with midgets.

1314
00:49:31,667 --> 00:49:33,633
You came in a little late
in the conversation.

1315
00:49:33,667 --> 00:49:34,633
And that's not really
the correct term.

1316
00:49:34,667 --> 00:49:36,800
No, it's little people.

1317
00:49:36,833 --> 00:49:38,267
Sorry for the interruption,

1318
00:49:38,300 --> 00:49:39,800
but it looks like you guys
are celebrating something.

1319
00:49:39,833 --> 00:49:41,067
We are celebrating.

1320
00:49:41,100 --> 00:49:43,633
We're celebrating because Harris
is going to win the Tony

1321
00:49:43,667 --> 00:49:46,667
with this new production, then
he's going to come to L.A.,

1322
00:49:46,700 --> 00:49:48,800
and he is going to
kick everybody's ass

1323
00:49:48,833 --> 00:49:51,333
right out of town.

1324
00:49:51,367 --> 00:49:53,433
Really?
We'll see about that.

1325
00:49:53,467 --> 00:49:56,567
But I hope you're having
a good time, Candy.

1326
00:49:56,600 --> 00:49:57,667
Yeah, well,
thank you, Harris.

1327
00:49:57,700 --> 00:49:59,867
Call me.

1328
00:49:59,900 --> 00:50:04,067
I might be able to cast
you in my new film.

1329
00:50:04,100 --> 00:50:05,733
It's the second
lead, actually.

1330
00:50:05,767 --> 00:50:07,800
I think you'd be
perfect for the part.

1331
00:50:07,833 --> 00:50:08,867
Come on, Bart.

1332
00:50:08,900 --> 00:50:11,133
Hey, Harris, let's not
go there, huh?

1333
00:50:11,167 --> 00:50:13,167
I mean, whatever
our differences,

1334
00:50:13,200 --> 00:50:14,567
it's mostly
a good thing.

1335
00:50:14,600 --> 00:50:16,500
You are a casting genius.
Oh, yes.

1336
00:50:16,533 --> 00:50:18,000
Finding big names before

1337
00:50:18,033 --> 00:50:20,467
anybody's even heard
of them before.

1338
00:50:20,500 --> 00:50:23,500
Brad Pitt.
Tom Cruise.

1339
00:50:23,533 --> 00:50:25,967
Ok, well, that's very
generous of you to say.

1340
00:50:26,000 --> 00:50:27,467
He's right,
and you know what?

1341
00:50:27,500 --> 00:50:30,033
Emerson, I think he could
maybe hook you up.

1342
00:50:30,067 --> 00:50:32,033
Oh, are you in
the entertainment business?

1343
00:50:32,067 --> 00:50:33,100
I am.
Well, the internet.

1344
00:50:33,133 --> 00:50:36,333
and he's got the most
unique site.

1345
00:50:36,367 --> 00:50:37,900
And I just think you're
going to find it fascinating.

1346
00:50:37,933 --> 00:50:39,700
Call me.

1347
00:50:39,733 --> 00:50:42,233
Okay.
Thank you.

1348
00:50:42,267 --> 00:50:44,033
Arrivederci.

1349
00:50:44,067 --> 00:50:47,167
Arrivederci, Candy.

1350
00:50:47,200 --> 00:50:48,967
Ciao.

1351
00:50:49,000 --> 00:50:50,167
Well, you're bad.
I know.

1352
00:50:50,200 --> 00:50:52,233
(Harris)
You are wonderfully bad.

1353
00:50:52,267 --> 00:50:55,467
I'm just as bad as they come.

1354
00:50:55,500 --> 00:50:56,667
All right.

1355
00:50:56,700 --> 00:50:59,867
To "The Life and Times
of Jackson Sweetwater"

1356
00:50:59,900 --> 00:51:01,900
for bailing us out.

1357
00:51:01,933 --> 00:51:04,500
Congratulations.

1358
00:51:06,700 --> 00:51:10,300
So, Emerson, have you always
been involved with the internet?

1359
00:51:10,333 --> 00:51:12,333
No.
As a matter of fact,

1360
00:51:12,367 --> 00:51:14,300
I used to be
an unemployed actor.

1361
00:51:14,333 --> 00:51:15,833
Oh.
Yeah, used to be.

1362
00:51:15,867 --> 00:51:17,300
(Emerson)
Harris tells me
you're an actor.

1363
00:51:17,333 --> 00:51:20,967
He's a very good actor.

1364
00:51:21,067 --> 00:51:22,967
Oh, I get it.

1365
00:51:23,067 --> 00:51:25,200
You are good.
Very, very good.

1366
00:51:25,233 --> 00:51:28,500
Didi told me you were
planning on keeping

1367
00:51:28,533 --> 00:51:30,167
the identity of
your lead a secret.

1368
00:51:30,200 --> 00:51:31,833
Very clever.

1369
00:51:31,867 --> 00:51:33,400
Well, I'm nothing
if not clever.

1370
00:51:33,433 --> 00:51:38,667
So Spencer's your
leading man.

1371
00:51:38,700 --> 00:51:40,500
That's great.
Congratulations.

1372
00:51:40,533 --> 00:51:41,833
This is awesome.
I heard Bart Liebowitz.

1373
00:51:41,867 --> 00:51:42,967
He said you're
a casting genius.

1374
00:51:43,067 --> 00:51:45,633
Brad Pitt, Tom Cruise,
Spencer West.

1375
00:51:45,667 --> 00:51:48,067
I know "The Moon's a Balloon"
is one of biggest hits

1376
00:51:48,067 --> 00:51:49,833
to hit Broadway in years.

1377
00:51:49,867 --> 00:51:52,233
Spencer looks like he just
walked off that stage.

1378
00:51:52,267 --> 00:51:55,367
Well, he did.

1379
00:51:55,400 --> 00:51:57,400
Would you excuse me?

1380
00:51:57,433 --> 00:51:59,067
Sure.

1381
00:51:59,100 --> 00:52:01,800
Sure.
Yeah.

1382
00:52:01,833 --> 00:52:06,567
So I assume you're going
to take advantage

1383
00:52:06,600 --> 00:52:09,233
of that young,
hip, sexy walk-in.

1384
00:52:09,267 --> 00:52:10,933
Walk-in?

1385
00:52:10,967 --> 00:52:12,200
Yeah, Harris, he's always
a couple of steps ahead

1386
00:52:12,233 --> 00:52:13,367
of everyone in town.

1387
00:52:13,400 --> 00:52:15,700
Excuse me, this a play written
by Malcolm Andrews,

1388
00:52:15,733 --> 00:52:18,133
and the lead is
77 years old.

1389
00:52:18,167 --> 00:52:20,700
Pure genius--
casting against type.

1390
00:52:20,733 --> 00:52:23,067
I love it.

1391
00:52:23,067 --> 00:52:24,100
That's great.

1392
00:52:24,133 --> 00:52:25,667
I-- I--

1393
00:52:25,700 --> 00:52:29,267
I don't know what to say.

1394
00:52:29,300 --> 00:52:31,333
Except...

1395
00:52:31,367 --> 00:52:33,367
Didi tells me that
you studied acting,

1396
00:52:33,400 --> 00:52:35,167
So I would be ver--
I would like you very much

1397
00:52:35,200 --> 00:52:38,467
to read for an interesting
role in my play.

1398
00:52:38,500 --> 00:52:39,667
Would you like to do that?

1399
00:52:39,700 --> 00:52:40,900
I would be honored.

1400
00:52:40,933 --> 00:52:44,067
Give me the script.
Call me up.

1401
00:52:44,100 --> 00:52:46,067
Well, to us, to us.
Right on, absolutely.

1402
00:52:46,100 --> 00:52:47,533
Harris, that's a wonderful
thing to do--what a great idea.

1403
00:52:47,567 --> 00:52:49,133
You know anything
about coal mining?

1404
00:52:49,167 --> 00:52:51,233
I do, as a matter of fact.

1405
00:52:51,267 --> 00:52:53,700
My grandfather was a coal miner
in Pennsylvania.

1406
00:52:53,733 --> 00:52:55,600
What was his name?
Cecil.

1407
00:52:55,633 --> 00:52:57,767
Wow. Hey.

1408
00:52:57,800 --> 00:52:59,467
What do you know?

1409
00:52:59,500 --> 00:53:02,467
(door opens)

1410
00:53:02,500 --> 00:53:04,600
Oh, it's you again.

1411
00:53:04,633 --> 00:53:06,700
You really seem to like
meeting me in here.

1412
00:53:06,733 --> 00:53:07,967
I like you, Spencer.

1413
00:53:08,067 --> 00:53:11,133
Now, will you please
tell me what's going on?

1414
00:53:11,167 --> 00:53:12,500
Well, what do you mean?

1415
00:53:12,533 --> 00:53:16,300
Everyone at your table just
seemed so, "Aah," excited.

1416
00:53:16,333 --> 00:53:18,467
(door opens)

1417
00:53:20,500 --> 00:53:22,500
Uh, Spencer,
are you okay?

1418
00:53:22,533 --> 00:53:24,833
He's fine.

1419
00:53:24,867 --> 00:53:26,867
You know this is
the men's room?

1420
00:53:26,900 --> 00:53:28,667
So then, what brings you
in here, honey?

1421
00:53:31,533 --> 00:53:33,333
Spencer, you're needed
at your table.

1422
00:53:33,367 --> 00:53:34,567
Oh.
Yeah.

1423
00:53:34,600 --> 00:53:36,700
Spencer, the whole world
just wants you.

1424
00:53:36,733 --> 00:53:39,967
That's exciting.

1425
00:53:40,067 --> 00:53:42,067
Yeah.

1426
00:53:42,067 --> 00:53:43,100
Is it out...?

1427
00:53:43,133 --> 00:53:45,233
Yeah.

1428
00:53:51,833 --> 00:53:55,067
Do you know why I find this
project so exciting?

1429
00:53:55,067 --> 00:53:56,400
No, no, tell me.
It's so different.

1430
00:53:56,433 --> 00:53:58,600
It's like the way Didi has
explained it to me,

1431
00:53:58,633 --> 00:54:02,467
I'm confident that your
interpretation of, uh...

1432
00:54:02,500 --> 00:54:04,667
"The Life and Times
of Jackson Sweetwater."

1433
00:54:04,700 --> 00:54:06,067
Yes.

1434
00:54:06,067 --> 00:54:07,933
I'm sure
your interpretation

1435
00:54:07,967 --> 00:54:11,100
of "The Life and Times
of Jackson Sweetwater"

1436
00:54:11,133 --> 00:54:13,900
is going to set a new
standard for Broadway.

1437
00:54:13,933 --> 00:54:15,333
It is.

1438
00:54:15,367 --> 00:54:18,100
Kind of like your website for
short people is going to...

1439
00:54:18,133 --> 00:54:19,333
(Emerson)
Great.

1440
00:54:19,367 --> 00:54:20,700
Now, tell me about the music.

1441
00:54:20,733 --> 00:54:22,767
The music?

1442
00:54:22,800 --> 00:54:24,067
(tray of dishes crashes
to floor)

1443
00:54:24,100 --> 00:54:27,700
Yeah, Harris, tell him
about the music.

1444
00:54:27,733 --> 00:54:30,267
Music is, uh...

1445
00:54:30,300 --> 00:54:34,067
Didi knows how much
I love musicals.

1446
00:54:34,067 --> 00:54:35,233
Come on.

1447
00:54:38,867 --> 00:54:42,667
Uh, music is--
Music is...

1448
00:54:42,700 --> 00:54:44,267
Music is, uh...

1449
00:54:44,300 --> 00:54:47,333
Would you like me to...
Oh, please.

1450
00:54:47,367 --> 00:54:49,333
He's so modest.

1451
00:54:49,367 --> 00:54:51,200
Harris is going
to put in

1452
00:54:51,233 --> 00:54:56,067
a gospel choir
from Mississippi.

1453
00:54:56,067 --> 00:54:57,333
Whatcha doin'?

1454
00:54:57,367 --> 00:54:58,933
I'm just checking if we
need another bottle.

1455
00:54:58,967 --> 00:55:00,933
Yep!
A gospel choir?

1456
00:55:00,967 --> 00:55:04,567
Yeah, I just want to provide
a context for the entire plot,

1457
00:55:04,600 --> 00:55:06,267
and just, well--

1458
00:55:06,300 --> 00:55:08,333
I want to make the main
character more compelling.

1459
00:55:08,367 --> 00:55:09,767
What a brilliant idea.

1460
00:55:09,800 --> 00:55:11,333
Oh, thank you.
What's it called again?

1461
00:55:11,367 --> 00:55:13,233
"The Life and Times
of Jackson Sweetwater."

1462
00:55:13,267 --> 00:55:16,167
Okay, Harris, don't take this
the wrong way,

1463
00:55:16,200 --> 00:55:20,300
but I don't think that
title fits a guy like Spencer.

1464
00:55:20,333 --> 00:55:21,967
No?
No.

1465
00:55:22,067 --> 00:55:23,333
Well, we could
change that.

1466
00:55:23,367 --> 00:55:24,333
We could?
Yeah.

1467
00:55:24,367 --> 00:55:25,767
We could?

1468
00:55:25,800 --> 00:55:29,800
How about "The Adventures
of Jackson Sweetwater"?

1469
00:55:29,833 --> 00:55:31,433
To be honest...

1470
00:55:31,467 --> 00:55:33,300
I like it.
Wait--

1471
00:55:33,333 --> 00:55:34,400
(Harris)
Excuse me...

1472
00:55:34,433 --> 00:55:37,067
"The Adventures of Jack Sweet."

1473
00:55:37,100 --> 00:55:39,967
Here's what I have--
Excuse me.

1474
00:55:40,067 --> 00:55:43,867
Have you considered
just "Jack Sweet?"

1475
00:55:43,900 --> 00:55:44,933
Ah, sweet.

1476
00:55:44,967 --> 00:55:47,100
Sweet. Sweet.

1477
00:55:47,133 --> 00:55:48,767
That's it!
That's your new title!

1478
00:55:48,800 --> 00:55:50,433
Sweet!

1479
00:55:50,467 --> 00:55:52,067
Short and sweet.

1480
00:55:52,067 --> 00:55:53,800
The musical,
awesome.

1481
00:55:53,833 --> 00:55:54,833
(Didi)
I love it.

1482
00:55:54,867 --> 00:55:56,600
(Lind)
Chappell!

1483
00:55:56,633 --> 00:55:57,600
Stand aside!

1484
00:55:57,633 --> 00:55:59,867
Thank you.

1485
00:55:59,900 --> 00:56:02,467
Harris,
Wolfie informs me...

1486
00:56:02,500 --> 00:56:03,967
Let's go outside.

1487
00:56:04,067 --> 00:56:05,967
Oh?
Listen to me, please.

1488
00:56:06,067 --> 00:56:09,067
You have to listen.
Where are we going?

1489
00:56:09,100 --> 00:56:11,367
Hello, William.

1490
00:56:11,400 --> 00:56:14,533
Harris--
Harris, I need--

1491
00:56:14,567 --> 00:56:15,700
What am I doing out here?

1492
00:56:15,733 --> 00:56:17,533
I just want to talk
to you for one second.

1493
00:56:17,567 --> 00:56:19,067
Now, listen.

1494
00:56:19,100 --> 00:56:20,500
My friend,
you have to listen to--

1495
00:56:20,533 --> 00:56:22,400
I just got off the phone
with Matthew Wolfe.

1496
00:56:22,433 --> 00:56:25,833
Didn't what I say to you earlier
bloody well register?

1497
00:56:25,867 --> 00:56:27,567
Larry.

1498
00:56:27,600 --> 00:56:29,400
Yes?

1499
00:56:29,433 --> 00:56:32,667
Have I ever told you
what an ass you are?

1500
00:56:32,700 --> 00:56:34,700
Oh, ho, ho, ho!

1501
00:56:34,733 --> 00:56:38,200
Oh, coming from you,
the Failure of Broadway.

1502
00:56:38,233 --> 00:56:40,067
What the hell happened
to you in Hollywood?

1503
00:56:40,067 --> 00:56:41,833
Why can't you direct?

1504
00:56:41,867 --> 00:56:44,467
Why can't you just get
something together for once?

1505
00:56:44,500 --> 00:56:47,667
Why, we've been fed up
waiting for you!

1506
00:56:47,700 --> 00:56:50,700
That's all we're doing is
waiting, waiting, waiting!

1507
00:56:50,733 --> 00:56:52,300
May I say one thing?
Yes.

1508
00:56:52,333 --> 00:56:54,367
Hack!

1509
00:56:54,400 --> 00:56:56,133
(Harris, loudly)
You're a hack!

1510
00:56:56,167 --> 00:56:57,833
Get to an old-age home,

1511
00:56:57,867 --> 00:57:01,533
find a chair,
and sit the fuck down!

1512
00:57:01,567 --> 00:57:03,700
(Lind)
You son of a bitch!

1513
00:57:03,733 --> 00:57:06,600
I've had you up to here!

1514
00:57:12,100 --> 00:57:13,900
Damned amateurs.

1515
00:57:13,933 --> 00:57:16,533
Wankers!
Bunch of wankers.

1516
00:57:18,267 --> 00:57:21,133
All of them,
bloody wankers!

1517
00:57:21,167 --> 00:57:22,433
(door slams shut)

1518
00:57:24,567 --> 00:57:28,067
(music playing)

1519
00:57:28,067 --> 00:57:30,933
Was Lawrence Lind that just
rushed out of here in a huff?

1520
00:57:38,933 --> 00:57:41,233
Men's room.

1521
00:57:43,833 --> 00:57:46,400
Spencer!

1522
00:57:46,433 --> 00:57:48,867
Spencer.
Harris?

1523
00:57:48,900 --> 00:57:50,633
Oh, I'm glad you're in here.

1524
00:57:50,667 --> 00:57:51,967
Well, I'm constantly being
asked to leave the table.

1525
00:57:52,067 --> 00:57:53,100
What's the matter?

1526
00:57:53,133 --> 00:57:54,800
Spencer, we have
a little predicament.

1527
00:57:54,833 --> 00:57:56,633
Oh.

1528
00:57:56,667 --> 00:57:58,700
Lawrence Lind?
Are you delusional?

1529
00:57:58,733 --> 00:58:00,700
What a minute.

1530
00:58:07,867 --> 00:58:09,500
Huh, I really, uh...

1531
00:58:16,200 --> 00:58:17,767
Why don't you just tell
Emerson that there's been

1532
00:58:17,800 --> 00:58:20,167
a huge misunderstanding.

1533
00:58:20,200 --> 00:58:24,533
I'm not going
to be the lead...

1534
00:58:24,567 --> 00:58:27,100
Spencer.

1535
00:58:27,133 --> 00:58:28,833
This is insane.

1536
00:58:28,867 --> 00:58:31,667
(knocking on door)

1537
00:58:37,200 --> 00:58:38,667
What?

1538
00:58:42,333 --> 00:58:44,200
Nikki, why--

1539
00:58:44,233 --> 00:58:45,567
Hey, Nick.

1540
00:58:45,600 --> 00:58:48,133
Glad to see you doing your
business standing up these days.

1541
00:58:51,833 --> 00:58:54,700
Oh, I'm sorry.

1542
00:58:54,733 --> 00:58:59,067
What was that
supposed to mean.

1543
00:58:59,067 --> 00:59:01,367
I thought they knew.

1544
00:59:01,400 --> 00:59:04,067
You mean that Nikki's
really a Nick?

1545
00:59:04,067 --> 00:59:05,333
What the hell does that matter?

1546
00:59:05,367 --> 00:59:08,167
What matters is Emerson thinks
that you are playing the lead.

1547
00:59:08,200 --> 00:59:09,200
But Lawrence Lind is
playing the lead.

1548
00:59:09,233 --> 00:59:10,467
Lawrence Lind is a genius.

1549
00:59:10,500 --> 00:59:12,600
Lawrence Lind has quit.
Quit?

1550
00:59:12,633 --> 00:59:14,267
Lawrence Lind has quit.

1551
00:59:14,300 --> 00:59:17,267
Come here.

1552
00:59:17,300 --> 00:59:19,700
Spencer, I want you
to play the lead.

1553
00:59:19,733 --> 00:59:22,300
I told you it was crazy.

1554
00:59:24,733 --> 00:59:26,567
No, you've never seen me act.

1555
00:59:26,600 --> 00:59:27,633
I have seen you act.

1556
00:59:27,667 --> 00:59:28,933
I saw you in that
shaving cream commercial.

1557
00:59:28,967 --> 00:59:30,067
You were wonderful.

1558
00:59:30,067 --> 00:59:31,067
Thank you, but...

1559
00:59:31,100 --> 00:59:32,667
We'll just keep you
lathered up.

1560
00:59:32,700 --> 00:59:34,133
Girls like me
in lather, but...

1561
00:59:34,167 --> 00:59:35,333
Guys.
There are guys, now.

1562
00:59:35,367 --> 00:59:36,833
Kind of like Nikki,
only in reverse.

1563
00:59:36,867 --> 00:59:39,333
Excuse me, gentlemen.

1564
00:59:39,367 --> 00:59:41,533
Guys?
Yes, and they're gay, too.

1565
00:59:41,567 --> 00:59:42,533
Gay guys?
Yes.

1566
00:59:42,567 --> 00:59:43,967
And they better like you
lathered, too.

1567
00:59:44,067 --> 00:59:45,567
(mutters)
Come on!

1568
00:59:45,600 --> 00:59:46,867
Didn't you say you had
an audition

1569
00:59:46,900 --> 00:59:48,333
for that "Moon's a Balloon"
the other day?

1570
00:59:48,367 --> 00:59:49,933
Yeah, but...
Audition for me.

1571
00:59:49,967 --> 00:59:52,667
Can you sell a song?

1572
00:59:52,700 --> 00:59:54,833
Are you nuts?
You told him what?

1573
00:59:54,867 --> 00:59:58,233
I thought you would be tickled
pink to invest in his play.

1574
00:59:58,267 --> 01:00:01,267
With money?

1575
01:00:01,300 --> 01:00:04,567
**

1576
01:00:04,600 --> 01:00:06,433
How did you get your job?

1577
01:00:06,467 --> 01:00:08,733
Is there anything that I can do
to get the truth out of you?

1578
01:00:08,767 --> 01:00:10,500
Anything?
You got a brother?

1579
01:00:10,533 --> 01:00:13,267
Honey, trust me.

1580
01:00:13,300 --> 01:00:17,567
I have everything that my
brother has, only bigger.

1581
01:00:22,367 --> 01:00:23,833
Excuse me,
ladies and gentlemen.

1582
01:00:23,867 --> 01:00:25,233
Sorry for the interruption.

1583
01:00:25,267 --> 01:00:26,600
My name is Harris Chappell.

1584
01:00:26,633 --> 01:00:27,633
(applause)

1585
01:00:27,667 --> 01:00:30,233
And-- Oh, wonderful.

1586
01:00:30,267 --> 01:00:32,467
Thank you.
Thank you very much.

1587
01:00:32,500 --> 01:00:34,400
I would like to introduce
this evening

1588
01:00:34,433 --> 01:00:36,900
a marvelous young talent.

1589
01:00:36,933 --> 01:00:38,067
His name is Spencer West.

1590
01:00:38,100 --> 01:00:39,733
That's the gentlemen
sitting right there

1591
01:00:39,767 --> 01:00:41,067
at the piano,

1592
01:00:41,100 --> 01:00:43,333
and he has a little gift
for you this evening.

1593
01:00:43,367 --> 01:00:45,533
A little gift?

1594
01:00:45,567 --> 01:00:47,333
Perhaps it's a lot more.

1595
01:00:47,367 --> 01:00:50,033
You be the judge.

1596
01:00:50,067 --> 01:00:51,100
Spencer, take it away.

1597
01:01:02,700 --> 01:01:07,467
(microphone feedback)

1598
01:01:07,500 --> 01:01:09,233
Sorry.

1599
01:01:09,267 --> 01:01:12,500
(clears throat)

1600
01:01:14,400 --> 01:01:16,733
(music playing)

1601
01:01:16,767 --> 01:01:18,467
(stops playing)

1602
01:01:23,600 --> 01:01:26,067
(music begins again)

1603
01:01:26,100 --> 01:01:31,667
* Well I ain't got nothing
to sell *

1604
01:01:31,700 --> 01:01:35,933
* I ain't got
much that I can tell *

1605
01:01:35,967 --> 01:01:37,867
* I just got myself

1606
01:01:37,900 --> 01:01:41,367
* And, baby, I hope I got you

1607
01:01:41,400 --> 01:01:42,800
**

1608
01:01:42,833 --> 01:01:47,533
* And I don't know
if there's a God above *

1609
01:01:47,567 --> 01:01:49,433
* But I believe in Heaven

1610
01:01:49,467 --> 01:01:51,067
* And I believe in love

1611
01:01:51,100 --> 01:01:53,300
* Oh, believe in me, baby

1612
01:01:53,333 --> 01:01:55,967
* And I can believe in you

1613
01:01:56,067 --> 01:01:58,733
**

1614
01:01:58,767 --> 01:02:02,967
* Out in the city
and into night *

1615
01:02:03,067 --> 01:02:04,900
* I'll be your shadow

1616
01:02:04,933 --> 01:02:06,533
* If you'll be my light

1617
01:02:06,567 --> 01:02:08,867
* Oh, turn it on, baby

1618
01:02:08,900 --> 01:02:12,767
* You know I can shine
with you *

1619
01:02:12,800 --> 01:02:17,700
**

1620
01:02:17,733 --> 01:02:19,067
He's great, right?

1621
01:02:19,067 --> 01:02:21,300
Really good.

1622
01:02:21,333 --> 01:02:27,600
**

1623
01:02:44,333 --> 01:02:48,067
* I'll save up my money
and I'll buy us a home *

1624
01:02:48,100 --> 01:02:51,333
* I'll build us a life
with every dollar I own *

1625
01:02:51,367 --> 01:02:53,333
* Depend on it, honey

1626
01:02:53,367 --> 01:02:56,633
* I'm spending it all on you

1627
01:02:56,667 --> 01:02:58,533
**

1628
01:02:58,567 --> 01:03:02,533
* 'Cause I ain't got a clue
what the future holds *

1629
01:03:02,567 --> 01:03:06,400
* And I don't even know
if we'll get old *

1630
01:03:06,433 --> 01:03:08,500
* But I'll love it all

1631
01:03:08,533 --> 01:03:11,533
* If, baby, I just got you

1632
01:03:11,567 --> 01:03:13,067
**

1633
01:03:13,100 --> 01:03:16,933
* Yes I'll have it all

1634
01:03:16,967 --> 01:03:19,267
* If, baby, I just got you

1635
01:03:19,300 --> 01:03:23,067
**

1636
01:03:23,100 --> 01:03:25,600
(song ends, applause)

1637
01:03:33,300 --> 01:03:36,067
Can I sell a song?

1638
01:03:36,100 --> 01:03:37,867
That's wonderful.
They love you.

1639
01:03:37,900 --> 01:03:40,133
Spencer West!
Thank you.

1640
01:03:47,433 --> 01:03:50,067
Spencer?

1641
01:03:50,067 --> 01:03:51,400
That was phenomenal.

1642
01:03:51,433 --> 01:03:52,767
Thanks.

1643
01:03:52,800 --> 01:03:56,067
This has been
a very weird night.

1644
01:03:56,067 --> 01:03:58,900
Hey, I wanted
to ask you something.

1645
01:03:58,933 --> 01:04:01,967
Why are you having dinner
with Todd Emerson?

1646
01:04:02,067 --> 01:04:05,067
You mean Emerson Todd?

1647
01:04:05,067 --> 01:04:06,767
No, Todd Emerson.

1648
01:04:06,800 --> 01:04:08,067
He's in my acting class.

1649
01:04:09,833 --> 01:04:12,067
(Spencer)
Your acting class?
He's an actor?

1650
01:04:12,067 --> 01:04:13,767
(Sophia)
Not a very good one.

1651
01:04:13,800 --> 01:04:17,200
But he's claiming to be
an internet millionaire.

1652
01:04:17,233 --> 01:04:18,433
Short.com.

1653
01:04:18,467 --> 01:04:19,733
An internet millionaire?

1654
01:04:19,767 --> 01:04:21,433
His parents had to send him
rent money last month.

1655
01:04:21,467 --> 01:04:23,133
Are you kidding me?

1656
01:04:23,167 --> 01:04:24,967
What the--

1657
01:04:25,067 --> 01:04:27,933
Okay, um, listen, I need to
get Didi away from the table

1658
01:04:27,967 --> 01:04:30,533
so I can talk to her alone.

1659
01:04:30,567 --> 01:04:32,067
You know what, I think
you are going to have

1660
01:04:32,100 --> 01:04:34,867
a wonderful working relationship
with Harris as well.

1661
01:04:34,900 --> 01:04:36,100
Can you sing?

1662
01:04:36,133 --> 01:04:37,600
As a matter of fact...

1663
01:04:37,633 --> 01:04:39,900
Oh, my goodness!

1664
01:04:39,933 --> 01:04:42,067
Spencer, you were fantastic!

1665
01:04:42,067 --> 01:04:43,233
Oh, thank you.

1666
01:04:43,267 --> 01:04:45,133
I mean, talk about hiding your
light under a bushel!

1667
01:04:45,167 --> 01:04:47,600
Thank you, Didi.
Excuse me.

1668
01:04:47,633 --> 01:04:50,267
Didi, the girl
in the coat room,

1669
01:04:50,300 --> 01:04:51,800
she needs to ask you something,
if you don't mind.

1670
01:04:51,833 --> 01:04:52,800
Oh, right now?

1671
01:04:52,833 --> 01:04:53,867
Yeah, if you wouldn't mind.

1672
01:04:53,900 --> 01:04:57,467
I'll be right back, honey.
Okay.

1673
01:04:57,500 --> 01:04:59,167
That was really amazing.

1674
01:04:59,200 --> 01:05:00,367
I mean, you've got talent.

1675
01:05:00,400 --> 01:05:02,267
So, why are you really here?

1676
01:05:02,300 --> 01:05:04,900
What do you mean?

1677
01:05:04,933 --> 01:05:07,967
Look over at the girl
in the coat check.

1678
01:05:08,067 --> 01:05:09,100
Right over there.

1679
01:05:09,133 --> 01:05:11,433
She look familiar?

1680
01:05:11,467 --> 01:05:14,533
There's no Short.com, is there?

1681
01:05:14,567 --> 01:05:15,933
I didn't know Sophia
worked here.

1682
01:05:15,967 --> 01:05:17,267
There's no money.

1683
01:05:17,300 --> 01:05:20,200
There's not even
an Emerson Todd.

1684
01:05:20,233 --> 01:05:23,067
Spencer, look, really, this has
nothing to do with you, okay?

1685
01:05:23,100 --> 01:05:24,433
You have ruined my life.

1686
01:05:24,467 --> 01:05:26,067
Look, this all
just happened!

1687
01:05:26,067 --> 01:05:27,433
How did this happen?

1688
01:05:27,467 --> 01:05:30,600
Look, I'm in an acting class
with Sophia, okay?

1689
01:05:30,633 --> 01:05:32,200
Now, Mark McQueen,
our teacher,

1690
01:05:32,233 --> 01:05:33,767
he gave us this assignment
to go out into the world

1691
01:05:33,800 --> 01:05:36,133
and create the role you've
always wanted to play

1692
01:05:36,167 --> 01:05:38,200
and, well,
become that person.

1693
01:05:38,233 --> 01:05:41,600
So you became Emerson Todd,
an internet mogul?

1694
01:05:41,633 --> 01:05:43,600
I always wanted to be
an internet mogul.

1695
01:05:43,633 --> 01:05:44,767
Wow.

1696
01:05:44,800 --> 01:05:45,800
But I had no idea
it would go this far.

1697
01:05:45,833 --> 01:05:47,133
You know, I was just
doing my homework.

1698
01:05:47,167 --> 01:05:48,667
Seriously, your homework?

1699
01:05:48,700 --> 01:05:50,633
See, I was role-playing
when I met Didi in that--

1700
01:05:50,667 --> 01:05:52,800
You know, that fancy bar
at the Gramercy Park Hotel.

1701
01:05:52,833 --> 01:05:54,867
Before you know it,
we were in bed together,

1702
01:05:54,900 --> 01:05:57,667
which is something
I'm actually pretty good at.

1703
01:05:57,700 --> 01:06:01,133
Okay, get to the part about
how you ended up here tonight.

1704
01:06:01,167 --> 01:06:02,933
We'd been dating, Didi and I,
and then she tells me

1705
01:06:02,967 --> 01:06:04,900
her best friend is the famous
director Harris Chappell.

1706
01:06:04,933 --> 01:06:06,900
So she's like,
"Come on down.

1707
01:06:06,933 --> 01:06:08,667
I'll get you a part
in the new play."

1708
01:06:08,700 --> 01:06:10,567
But when I get here,
she tells me

1709
01:06:10,600 --> 01:06:12,967
she wants me to back the play
with my internet millions.

1710
01:06:13,067 --> 01:06:15,433
Oh, fuck.

1711
01:06:15,467 --> 01:06:17,600
One thing led
to another and...

1712
01:06:17,633 --> 01:06:19,067
Well, you got to tell Didi.

1713
01:06:19,067 --> 01:06:20,400
Are out of your mind?

1714
01:06:20,433 --> 01:06:21,733
Nope, not up for debate.
Didi!

1715
01:06:21,767 --> 01:06:24,133
That was weird.

1716
01:06:24,167 --> 01:06:26,133
Emerson, he's actually--

1717
01:06:26,167 --> 01:06:28,133
He's got something that he
wants to tell you.

1718
01:06:28,167 --> 01:06:29,533
Right?
You okay?

1719
01:06:29,567 --> 01:06:30,533
Are you okay?

1720
01:06:34,200 --> 01:06:36,100
You tell her, please?
Nope. Nuh-uh.

1721
01:06:36,133 --> 01:06:38,267
It's okay.
Well?

1722
01:06:38,300 --> 01:06:39,667
One of you tell me something.

1723
01:06:39,700 --> 01:06:42,267
Can't be that
bad... right?

1724
01:06:42,300 --> 01:06:44,567
(laughs)
Um...

1725
01:06:44,600 --> 01:06:46,667
You two seem to
be having fun tonight.

1726
01:06:46,700 --> 01:06:47,967
What do you mean?

1727
01:06:48,067 --> 01:06:50,133
I've been watching whatever
it is that's going on.

1728
01:06:50,167 --> 01:06:51,633
It's been interesting.

1729
01:06:51,667 --> 01:06:53,933
You two get, like, a two-act
comedy out of this.

1730
01:06:53,967 --> 01:06:55,067
(Harris chuckles)

1731
01:06:55,067 --> 01:06:56,067
Do you hear what he said?

1732
01:06:56,067 --> 01:06:57,200
We're in real trouble,
Chappell!

1733
01:06:57,233 --> 01:06:58,267
Don't worry about it.

1734
01:06:58,300 --> 01:06:59,767
I can make this all work.

1735
01:06:59,800 --> 01:07:01,733
Chappell...
Look, Wolfie is coming over

1736
01:07:01,767 --> 01:07:03,700
with some paperwork
that's going to allow me

1737
01:07:03,733 --> 01:07:05,667
to make changes
in the script.

1738
01:07:05,700 --> 01:07:08,367
I'll just age
this production down,

1739
01:07:08,400 --> 01:07:10,933
and I'll just give it
a "Moon's a Balloon" feel.

1740
01:07:10,967 --> 01:07:12,233
What about Larry?

1741
01:07:12,267 --> 01:07:14,300
Larry hasn't signed
his contract yet,

1742
01:07:14,333 --> 01:07:15,600
so there's no problem.

1743
01:07:15,633 --> 01:07:17,500
Well, I hate to sound
selfish, but what about me?

1744
01:07:17,533 --> 01:07:20,233
Well, now, it's obvious that
your part, the autobiographer,

1745
01:07:20,267 --> 01:07:22,700
that doesn't work with
a 21-year-old lead.

1746
01:07:22,733 --> 01:07:25,167
The character hasn't had time
to lead his life.

1747
01:07:25,200 --> 01:07:27,400
So, that's it?
I'm out?

1748
01:07:27,433 --> 01:07:29,733
You're going to throw away
a 20-year friendship

1749
01:07:29,767 --> 01:07:31,100
for some kid you met
an hour ago?

1750
01:07:31,133 --> 01:07:32,233
I hadn't thought of it
that way.

1751
01:07:32,267 --> 01:07:33,700
Well, you should.
Harris...

1752
01:07:33,733 --> 01:07:36,900
let's just take a deep breath
and figure this all out.

1753
01:07:36,933 --> 01:07:38,067
Yes, but I have
figured it out.

1754
01:07:38,067 --> 01:07:39,867
You see, I'm going to take
Emerson's money,

1755
01:07:39,900 --> 01:07:41,100
and I'm going to
rewrite the script.

1756
01:07:41,133 --> 01:07:42,667
I'm going to add
some gospel music,

1757
01:07:42,700 --> 01:07:44,700
and I'm going to return
triumphantly to Broadway

1758
01:07:44,733 --> 01:07:46,733
with "Sweet,"
starring Spencer West.

1759
01:07:46,767 --> 01:07:49,233
I give up.

1760
01:07:49,267 --> 01:07:50,700
Wait, wait, wait.

1761
01:07:50,733 --> 01:07:52,800
David, I do have a
part for you.

1762
01:07:52,833 --> 01:07:54,167
You do?

1763
01:07:54,200 --> 01:07:55,500
Yes, I do.

1764
01:07:55,533 --> 01:07:57,467
Now, honestly, do you think
you could play the part

1765
01:07:57,500 --> 01:08:01,067
of the director of
a Mississippi gospel choir?

1766
01:08:03,567 --> 01:08:06,167
I'm David Thiel...

1767
01:08:06,200 --> 01:08:10,200
two-time Tony winner from...

1768
01:08:10,233 --> 01:08:13,567
(southern drawl)
Savannah.

1769
01:08:13,600 --> 01:08:16,267
And I believe
I could, y'all.

1770
01:08:16,300 --> 01:08:17,900
(claps)
It's perfect.

1771
01:08:17,933 --> 01:08:19,867
Have you figured out how you're
going to stage musical numbers

1772
01:08:19,900 --> 01:08:22,233
in a mine shaft
200 feet under Pittsburg?

1773
01:08:24,833 --> 01:08:26,800
Didi...

1774
01:08:26,833 --> 01:08:30,333
You have a much better chance
of living if you don't speak.

1775
01:08:34,067 --> 01:08:36,467
Ah, Chappell!
Wolfie.

1776
01:08:36,500 --> 01:08:38,533
I got it.
Oh, great.

1777
01:08:38,567 --> 01:08:40,633
That Monte character come up
with the money yet?

1778
01:08:40,667 --> 01:08:42,300
Not exactly.

1779
01:08:42,333 --> 01:08:44,067
Whoa, whoa, what do you mean
"not exactly"?

1780
01:08:44,100 --> 01:08:45,933
That doesn't even sound
like the word "yes."

1781
01:08:45,967 --> 01:08:47,967
Things got complicated.

1782
01:08:48,067 --> 01:08:49,600
Complicate--
Look, Harris,

1783
01:08:49,633 --> 01:08:51,667
Let me tell you what
is not complicated.

1784
01:08:51,700 --> 01:08:53,633
You took a million bucks
on the option

1785
01:08:53,667 --> 01:08:56,067
for the film rights for
the "Jackson Sweetwater" play

1786
01:08:56,100 --> 01:08:58,267
with the understanding that
it was fully financed.

1787
01:08:58,300 --> 01:09:00,633
A million isn't so much.

1788
01:09:00,667 --> 01:09:03,367
Well, it sure is
if you spent it already,

1789
01:09:03,400 --> 01:09:05,133
and the financing isn't
in place.

1790
01:09:05,167 --> 01:09:06,633
It's called fraud.

1791
01:09:06,667 --> 01:09:08,133
Harris, you'll go to jail.

1792
01:09:08,167 --> 01:09:09,633
All right, I got
someone else in place.

1793
01:09:09,667 --> 01:09:10,867
Now, David's at the bar.

1794
01:09:10,900 --> 01:09:12,433
Go have a drink with him.
Okay.

1795
01:09:12,467 --> 01:09:14,767
Oh, does he know
what's going on?

1796
01:09:14,800 --> 01:09:16,100
You don't even know
what's going on-- Go.

1797
01:09:16,133 --> 01:09:18,533
I don't even know
what's going on, go.

1798
01:09:20,633 --> 01:09:22,133
I hate you.

1799
01:09:27,500 --> 01:09:29,667
No, no, no, no.

1800
01:09:29,700 --> 01:09:32,967
Emerson, I was going to bring
the distinguished

1801
01:09:33,067 --> 01:09:35,300
British acting legend,
Lawrence Lind, to Broadway.

1802
01:09:35,333 --> 01:09:38,800
But after listening
to you tonight,

1803
01:09:38,833 --> 01:09:42,700
and seeing the crowd's reaction
to Spencer's performance,

1804
01:09:42,733 --> 01:09:45,267
I've decided to give Spencer
the leading role

1805
01:09:45,300 --> 01:09:51,433
in the slightly revised
Malcolm Andrews musical "Sweet."

1806
01:09:51,467 --> 01:09:53,267
Congratulations, Spencer.

1807
01:09:53,300 --> 01:09:57,067
Your Broadway star is
about to shine.

1808
01:09:57,067 --> 01:09:59,533
No, no, no.
Please, don't say anything.

1809
01:09:59,567 --> 01:10:02,367
Would you please come here
for a second?

1810
01:10:02,400 --> 01:10:05,033
It just keeps getting worse.

1811
01:10:05,067 --> 01:10:06,900
Harris, I really don't want
to sound ungrateful...

1812
01:10:06,933 --> 01:10:08,167
Then don't.

1813
01:10:08,200 --> 01:10:09,200
...but I haven't even
read the play.

1814
01:10:09,233 --> 01:10:10,700
You will,
when I rewrite it.

1815
01:10:10,733 --> 01:10:11,800
Yeah, but this is crazy.

1816
01:10:11,833 --> 01:10:15,100
No, it's show business!

1817
01:10:15,133 --> 01:10:16,800
I'm not sure I'm
a good enough actor.

1818
01:10:16,833 --> 01:10:18,767
Shh, shh.

1819
01:10:18,800 --> 01:10:21,567
I am a great director.

1820
01:10:25,733 --> 01:10:28,333
Chappell, can you come here
for a minute?

1821
01:10:28,367 --> 01:10:30,067
Harris, here is my ticket.

1822
01:10:30,100 --> 01:10:31,333
I'm going home.

1823
01:10:31,367 --> 01:10:34,567
It's been a very
long evening.

1824
01:10:34,600 --> 01:10:36,267
(quietly)
Harris...

1825
01:10:36,300 --> 01:10:37,733
I want you to meet someone.

1826
01:10:37,767 --> 01:10:39,567
Yes, we already met
in the men's room.

1827
01:10:39,600 --> 01:10:40,933
The men's room?

1828
01:10:40,967 --> 01:10:42,133
There's a lot going on
in that men's room.

1829
01:10:42,167 --> 01:10:43,467
You have no idea.

1830
01:10:43,500 --> 01:10:45,000
Ladies and gentlemen,
good evening.

1831
01:10:45,033 --> 01:10:46,567
Oh.

1832
01:10:46,600 --> 01:10:47,867
Spencer.

1833
01:10:47,900 --> 01:10:49,433
Mr. Thiel.

1834
01:10:49,467 --> 01:10:51,133
You're gonna
knock 'em dead.

1835
01:10:51,167 --> 01:10:52,767
Congratulations.

1836
01:10:52,800 --> 01:10:54,300
Thank you.

1837
01:10:54,333 --> 01:10:55,433
You're Emerson?

1838
01:10:55,467 --> 01:10:57,100
Yes.

1839
01:10:57,133 --> 01:10:59,200
Harris Chappell is going
to deliver

1840
01:10:59,233 --> 01:11:03,433
the biggest hit
on Broadway.

1841
01:11:03,467 --> 01:11:06,467
I'm sure.

1842
01:11:06,500 --> 01:11:08,700
Sweetheart.

1843
01:11:08,733 --> 01:11:10,733
Bye.

1844
01:11:17,933 --> 01:11:19,067
Have a lovely evening.

1845
01:11:19,067 --> 01:11:21,067
Thank you, my dear,

1846
01:11:21,100 --> 01:11:24,700
and the same to y'all.

1847
01:11:24,733 --> 01:11:27,333
Y'all.

1848
01:11:27,367 --> 01:11:30,467
(door opens, shuts)

1849
01:11:37,733 --> 01:11:39,433
Y'all.

1850
01:11:42,467 --> 01:11:45,267
Didi, what are we
going to do?

1851
01:11:45,300 --> 01:11:47,433
Nothing.

1852
01:11:47,467 --> 01:11:50,333
We're going
do nothing tonight.

1853
01:11:50,367 --> 01:11:52,233
We're going to pretend that
everything is the same,

1854
01:11:52,267 --> 01:11:53,800
and then tomorrow,
I'm going to tell Harris

1855
01:11:53,833 --> 01:11:56,233
that life as he knows it
is over.

1856
01:11:58,367 --> 01:12:00,867
Didi...
Don't touch me.

1857
01:12:00,900 --> 01:12:03,833
(chuckles)
Don't touch me.

1858
01:12:14,500 --> 01:12:17,200
When you're ready, sir.

1859
01:12:23,700 --> 01:12:28,067
Why can't he just find
another investor?

1860
01:12:28,067 --> 01:12:29,567
I'm going to be needing this

1861
01:12:29,600 --> 01:12:31,867
for the souvenirs
I'll be taking later.

1862
01:12:31,900 --> 01:12:33,600
Spencer, help me.

1863
01:12:33,633 --> 01:12:35,067
Help you?
I don't even like you.

1864
01:12:35,067 --> 01:12:36,967
Oh, what a great evening
so far,

1865
01:12:37,067 --> 01:12:38,867
and it's only 7:30.

1866
01:12:38,900 --> 01:12:40,967
By the way,
David's gone home

1867
01:12:41,067 --> 01:12:42,367
to work on his
southern accent,

1868
01:12:42,400 --> 01:12:43,500
so you're coming
with us tonight.

1869
01:12:43,533 --> 01:12:44,900
Dinner's on me.

1870
01:12:44,933 --> 01:12:47,600
What?
Wow, Peter...

1871
01:12:47,633 --> 01:12:48,767
Yes, yes.

1872
01:12:48,800 --> 01:12:49,800
That's magnificent.

1873
01:12:49,833 --> 01:12:52,067
My friend, thank you
so very much.

1874
01:12:52,067 --> 01:12:54,167
I want to welcome you back
to New York.

1875
01:12:54,200 --> 01:12:56,967
Thank you, it's great
to be home.

1876
01:12:57,067 --> 01:12:59,067
Thank you so much.

1877
01:12:59,100 --> 01:13:00,300
Thank you for your
great service.

1878
01:13:00,333 --> 01:13:01,633
Your welcome.
Good night.

1879
01:13:01,667 --> 01:13:03,833
Harris, I really hope
you won't be too upset,

1880
01:13:03,867 --> 01:13:06,667
but I've just received
a text message,

1881
01:13:06,700 --> 01:13:08,800
and I've got to run
to an urgent meeting.

1882
01:13:08,833 --> 01:13:10,200
I hope it's a short meeting.

1883
01:13:10,233 --> 01:13:11,467
Real short.
Yes, yes.

1884
01:13:11,500 --> 01:13:13,133
Real short.
(chuckles)

1885
01:13:13,167 --> 01:13:14,200
I'll call you on Monday

1886
01:13:14,233 --> 01:13:15,567
to arrange to read
for the part.

1887
01:13:15,600 --> 01:13:16,767
I'm looking forward to it.

1888
01:13:16,800 --> 01:13:17,800
Thank you very much.

1889
01:13:17,833 --> 01:13:19,567
Spencer, it was nice
meeting you.

1890
01:13:19,600 --> 01:13:21,067
And congratulations.

1891
01:13:21,100 --> 01:13:24,400
Thank you...
Mm-hmm.
Really...

1892
01:13:24,433 --> 01:13:26,733
Didi, uh...

1893
01:13:28,833 --> 01:13:31,067
(Emerson)
I'll call you later.

1894
01:13:33,300 --> 01:13:35,367
Okay, I want to know
what's going on.

1895
01:13:35,400 --> 01:13:36,433
Oh, Nikki.

1896
01:13:36,467 --> 01:13:37,567
Oh, come on!
Something is up.

1897
01:13:37,600 --> 01:13:39,433
Harris, give a girl a break.

1898
01:13:39,467 --> 01:13:40,700
You owe me.

1899
01:13:40,733 --> 01:13:43,400
Okay, but you can't release it
until next week.

1900
01:13:43,433 --> 01:13:44,667
Harris!

1901
01:13:44,700 --> 01:13:48,800
But my column comes
out on Monday.

1902
01:13:48,833 --> 01:13:50,367
Harris.
Okay, here it is.

1903
01:13:50,400 --> 01:13:51,667
Wait, Harris,
what are you--

1904
01:13:51,700 --> 01:13:53,800
Spencer West is the playing
the lead in my play.

1905
01:13:53,833 --> 01:13:55,867
I knew it, I knew it,
I knew it!

1906
01:13:55,900 --> 01:13:58,600
Of course you knew it, because
you are an instinctive,

1907
01:13:58,633 --> 01:14:00,833
investigative,
scotch-drinking reporter.

1908
01:14:00,867 --> 01:14:02,700
And my editor thinks
I didn't have what it takes.

1909
01:14:02,733 --> 01:14:06,067
Oh, but, honey, we all know you
have more than what it takes.

1910
01:14:06,100 --> 01:14:07,467
Oh!
Can I get a picture?

1911
01:14:07,500 --> 01:14:08,633
Absolutely.
Let's do it.

1912
01:14:08,667 --> 01:14:09,733
No.
No pictures.

1913
01:14:09,767 --> 01:14:12,900
I don't think a picture
is a good idea.

1914
01:14:12,933 --> 01:14:16,333
I think you should ask Sophia
to come with us tonight.

1915
01:14:16,367 --> 01:14:17,767
She's working.
All right.

1916
01:14:17,800 --> 01:14:20,067
Just ask her, or maybe
I'll talk to Peter.

1917
01:14:20,067 --> 01:14:21,067
Good night.
Thank you.

1918
01:14:27,400 --> 01:14:29,400
Do you want to go to
the theater with me tonight?

1919
01:14:29,433 --> 01:14:32,533
I don't know,
I have ask.

1920
01:14:32,567 --> 01:14:34,333
How did it go with Todd?

1921
01:14:34,367 --> 01:14:37,067
Yeah, I'll tell you later.

1922
01:14:37,100 --> 01:14:38,633
Everything all right?

1923
01:14:38,667 --> 01:14:40,133
Yeah.

1924
01:14:40,167 --> 01:14:41,367
Is everything all right?

1925
01:14:41,400 --> 01:14:42,867
Yes!

1926
01:14:42,900 --> 01:14:45,533
It's just all the excitement
kind of made me dizzy.

1927
01:14:45,567 --> 01:14:48,600
What a great, great,
great night.

1928
01:14:48,633 --> 01:14:51,067
Hey, darling, will you meet
me for brunch tomorrow?

1929
01:14:51,067 --> 01:14:52,367
There's something I
want to talk to you about.

1930
01:14:52,400 --> 01:14:54,067
Tell me now.

1931
01:14:54,100 --> 01:14:56,067
No, no,
I want to save it.

1932
01:15:03,533 --> 01:15:04,900
(door opens)

1933
01:15:06,633 --> 01:15:08,400
(chuckles)

1934
01:15:08,433 --> 01:15:09,933
You don't look so good.

1935
01:15:09,967 --> 01:15:11,667
Something wrong?

1936
01:15:11,700 --> 01:15:13,633
This should be the best
night of my life.

1937
01:15:13,667 --> 01:15:18,167
I was just offered the lead
in Harris Chappell's new play.

1938
01:15:18,200 --> 01:15:19,600
I know.

1939
01:15:19,633 --> 01:15:21,333
You know?

1940
01:15:21,367 --> 01:15:23,533
How do you know?

1941
01:15:23,567 --> 01:15:24,933
(chuckles)

1942
01:15:24,967 --> 01:15:26,133
What's funny?

1943
01:15:26,167 --> 01:15:27,433
Oh, it's nothing.

1944
01:15:27,467 --> 01:15:30,533
You've heard the phrase,
"When it rains, it pours"?

1945
01:15:30,567 --> 01:15:32,067
Of course.
Hmm.

1946
01:15:32,067 --> 01:15:33,333
Well, earlier this evening,

1947
01:15:33,367 --> 01:15:35,067
I was with Wolfie
in the bar,

1948
01:15:35,067 --> 01:15:37,167
there was this man who'd been
sitting there all evening.

1949
01:15:37,200 --> 01:15:39,500
It turns out he runs
a theater investment fund.

1950
01:15:39,533 --> 01:15:42,600
You're kidding?
Mm.

1951
01:15:42,633 --> 01:15:45,900
I suggested that my partner
and I might be interested

1952
01:15:45,933 --> 01:15:48,400
in putting up the money
to produce it.

1953
01:15:48,433 --> 01:15:50,333
I saw you perform.

1954
01:15:50,367 --> 01:15:52,300
You were fantastic.

1955
01:15:52,333 --> 01:15:55,167
He all but wanted to write
a check to produce the play.

1956
01:15:55,200 --> 01:15:58,933
Harris, that's fabulous!

1957
01:15:58,967 --> 01:16:00,367
But Harris turned me down.

1958
01:16:00,400 --> 01:16:02,300
I told him,
"Thank you,

1959
01:16:02,333 --> 01:16:05,533
but we already have
an investor."

1960
01:16:05,567 --> 01:16:07,133
Some internet mogul.

1961
01:16:09,133 --> 01:16:12,433
(chuckles)

1962
01:16:22,600 --> 01:16:23,700
Well.

1963
01:16:23,733 --> 01:16:26,233
Wait, do you have
a second?

1964
01:16:30,300 --> 01:16:32,067
Odd though, isn't it?

1965
01:16:34,533 --> 01:16:37,733
Mommy.

1966
01:16:37,767 --> 01:16:41,233
Harris said
you had talent.

1967
01:16:52,367 --> 01:16:54,400
Didi, can I talk to you
for just a second?

1968
01:16:54,433 --> 01:16:56,933
This is really important.

1969
01:17:00,800 --> 01:17:02,633
Hi.

1970
01:17:02,667 --> 01:17:04,500
Well, hi, Ms. Martinelli.

1971
01:17:04,533 --> 01:17:05,633
How are you doing?

1972
01:17:05,667 --> 01:17:07,333
Um, fine.
How are you doing?

1973
01:17:07,367 --> 01:17:09,167
Oh, it's been
a great night.

1974
01:17:12,167 --> 01:17:13,367
Oh.

1975
01:17:13,400 --> 01:17:14,733
Oh, mother!

1976
01:17:14,767 --> 01:17:15,933
What?

1977
01:17:15,967 --> 01:17:17,833
All right, I met this guy
in the men's room.

1978
01:17:17,867 --> 01:17:20,267
What? What is with
the men's room in this place?

1979
01:17:20,300 --> 01:17:21,533
Do they all have L.B.L?

1980
01:17:21,567 --> 01:17:24,633
What do you mean?
Light bladder leakage!

1981
01:17:24,667 --> 01:17:26,067
Peter said I can go
with you guys.

1982
01:17:26,067 --> 01:17:28,867
Oh, good, Spencer's going
to be very happy.

1983
01:17:32,067 --> 01:17:35,733
Why are they outside?

1984
01:17:35,767 --> 01:17:37,600
I have no idea.

1985
01:17:37,633 --> 01:17:39,733
So he's going to come
see the premiere tonight?

1986
01:17:39,767 --> 01:17:40,733
Yeah.

1987
01:17:40,767 --> 01:17:42,367
Spencer, this is great.

1988
01:17:42,400 --> 01:17:43,533
I want to meet him.

1989
01:17:45,367 --> 01:17:47,367
Oh, they're coming in.

1990
01:17:47,400 --> 01:17:49,600
I can go.

1991
01:17:49,633 --> 01:17:52,067
Sweet.

1992
01:17:52,067 --> 01:17:53,233
Daddy, Spencer and I,
we're just going to be

1993
01:17:53,267 --> 01:17:54,733
in the bar for a moment--
we'll be right back.

1994
01:17:54,767 --> 01:17:55,733
(Harris)
Okay.

1995
01:17:55,767 --> 01:17:58,067
I'll get our coats.

1996
01:17:58,100 --> 01:17:59,367
Thank you.

1997
01:17:59,400 --> 01:18:01,067
Thank you.

1998
01:18:01,067 --> 01:18:03,067
Excuse me...um--

1999
01:18:03,067 --> 01:18:04,167
I'm Didi Ravenal.

2000
01:18:04,200 --> 01:18:05,400
I know who you are.

2001
01:18:05,433 --> 01:18:07,300
I'm close friends
with Harris Chappell,

2002
01:18:07,333 --> 01:18:08,633
and I wanted
to say thank you.

2003
01:18:08,667 --> 01:18:10,133
Rib eye, medium-rare?

2004
01:18:10,167 --> 01:18:11,233
Table ten.

2005
01:18:11,267 --> 01:18:12,800
Oh, I'm sorry.

2006
01:18:18,067 --> 01:18:19,967
Harris.

2007
01:18:20,067 --> 01:18:22,567
I've really outdone
myself this time.

2008
01:18:22,600 --> 01:18:23,800
What have you done?

2009
01:18:23,833 --> 01:18:25,100
Well, I just got
off the phone

2010
01:18:25,133 --> 01:18:26,667
with my people
on the coast,

2011
01:18:26,700 --> 01:18:28,500
and if you win the Tony,

2012
01:18:28,533 --> 01:18:34,367
there is a three-picture deal
waiting for you in Los Angeles.

2013
01:18:34,400 --> 01:18:37,100
Okay, like I told Spencer,
it's not a done deal

2014
01:18:37,133 --> 01:18:38,467
until I get my partner
on board,

2015
01:18:38,500 --> 01:18:42,333
but I think Monte is going
to love it.

2016
01:18:42,367 --> 01:18:44,133
He is...

2017
01:18:44,167 --> 01:18:47,867
Monte!
Darling!

2018
01:18:47,900 --> 01:18:49,567
Oh, my God,
it's Monte Sobel!

2019
01:18:49,600 --> 01:18:50,800
I'm glad you finally
got here.

2020
01:18:50,833 --> 01:18:52,067
Monte Sobel?

2021
01:18:52,067 --> 01:18:53,667
(Monte)
Traffic was atrocious.

2022
01:18:53,700 --> 01:18:54,800
You missed
quite an evening.

2023
01:18:54,833 --> 01:18:56,300
I'm so sorry.

2024
01:18:56,333 --> 01:18:58,133
You know, it's getting late,
so we probably should--

2025
01:18:58,167 --> 01:19:00,900
Oh, no, no.
You all right?

2026
01:19:00,933 --> 01:19:02,700
I'll know in a minute.

2027
01:19:02,733 --> 01:19:05,133
Monte Sobel,
this is Didi Ravenal.

2028
01:19:05,167 --> 01:19:08,600
Monte, such a pleasure
to meet you.

2029
01:19:08,633 --> 01:19:10,567
And I'd like to
introduce Spencer West.

2030
01:19:10,600 --> 01:19:12,767
He's the young man starring
in Chappell's new play.

2031
01:19:12,800 --> 01:19:14,967
Spencer, this is my partner
Monte Sobel.

2032
01:19:15,067 --> 01:19:16,467
Nice to meet you.
Aha.

2033
01:19:16,500 --> 01:19:18,100
So, you're Harris Chappell's
big secret.

2034
01:19:18,133 --> 01:19:19,267
I-- Yeah.

2035
01:19:19,300 --> 01:19:20,867
You have a very,
very good look, young man.

2036
01:19:20,900 --> 01:19:21,933
Thank you.

2037
01:19:21,967 --> 01:19:23,567
So, Monte, I think
we should produce

2038
01:19:23,600 --> 01:19:24,800
Harris Chappell's
new play.

2039
01:19:24,833 --> 01:19:27,133
And, you know, I would do
just about anything

2040
01:19:27,167 --> 01:19:29,067
to get you boys
involved.

2041
01:19:29,100 --> 01:19:31,233
Well, then I can't imagine
not producing it

2042
01:19:31,267 --> 01:19:32,667
with Chappell directing

2043
01:19:32,700 --> 01:19:34,467
and a fine young man like
Spencer starring in it.

2044
01:19:34,500 --> 01:19:36,333
I haven't told you anything
about it yet.

2045
01:19:36,367 --> 01:19:39,500
Well, it is
Harris Chappell.

2046
01:19:42,333 --> 01:19:43,400
Darling,
don't look now,

2047
01:19:43,433 --> 01:19:46,100
but that is Monte Sobel
in the bar.

2048
01:19:46,133 --> 01:19:47,567
Not so bad, right?

2049
01:19:47,600 --> 01:19:48,733
I told you he'd love it.

2050
01:19:48,767 --> 01:19:49,933
(Nikki)
Monte!

2051
01:19:49,967 --> 01:19:51,567
Nick!

2052
01:19:51,600 --> 01:19:53,833
I mean Nikki!

2053
01:19:53,867 --> 01:19:57,133
My God, what a lovely young
woman you've become.

2054
01:19:57,167 --> 01:19:58,533
You know her?

2055
01:19:58,567 --> 01:20:01,233
Sweetie, you've been spending
too much time in Chicago.

2056
01:20:01,267 --> 01:20:02,467
That's the guy?
Yes.

2057
01:20:02,500 --> 01:20:04,267
And they love Spencer
so much,

2058
01:20:04,300 --> 01:20:06,467
they are going to give you
all the money that you need.

2059
01:20:06,500 --> 01:20:08,467
Now, wait a minute.

2060
01:20:08,500 --> 01:20:10,033
So we have two
full investors?

2061
01:20:10,067 --> 01:20:11,133
Can we do that?

2062
01:20:11,167 --> 01:20:12,667
Darling, this a night
for celebrating,

2063
01:20:12,700 --> 01:20:13,933
not for comprehending.

2064
01:20:13,967 --> 01:20:15,100
So we're fine?

2065
01:20:15,133 --> 01:20:17,267
As sure as my name is
Didi Ravenal, baby.

2066
01:20:17,300 --> 01:20:18,900
It isn't, really.
Shh!

2067
01:20:18,933 --> 01:20:21,167
I cannot thank you guys
enough.

2068
01:20:21,200 --> 01:20:22,933
This is--

2069
01:20:22,967 --> 01:20:26,133
Harris, this is
unbelievable.

2070
01:20:26,167 --> 01:20:29,067
I would like for you
to meet Monte Sobel.

2071
01:20:29,100 --> 01:20:30,467
Nice to finally
meet you, Monte.

2072
01:20:30,500 --> 01:20:31,800
Oh, the pleasure is mine.

2073
01:20:31,833 --> 01:20:33,667
We'd better
all get started.

2074
01:20:33,700 --> 01:20:34,933
I don't want to miss
the curtain.

2075
01:20:34,967 --> 01:20:36,233
You know how
I love musicals.

2076
01:20:36,267 --> 01:20:38,467
As do I.
Go.

2077
01:20:38,500 --> 01:20:40,933
**

2078
01:20:40,967 --> 01:20:42,867
Ahh.

2079
01:20:42,900 --> 01:20:45,133
The lullaby of Broadway.

2080
01:20:47,600 --> 01:20:48,700
(Harris)
All right, here we go.

2081
01:20:48,733 --> 01:20:50,433
Here we go.

2082
01:20:50,467 --> 01:20:53,600
Time to see some plastic
sing-and-dance.

2083
01:20:53,633 --> 01:20:55,333
(Sophia)
This is so exciting.

2084
01:20:55,367 --> 01:20:57,033
Mm-hmm..

2085
01:20:57,067 --> 01:20:58,867
All right, come on.

2086
01:21:01,167 --> 01:21:03,900
Spencer, Bart told me he
has a role for you

2087
01:21:03,933 --> 01:21:05,767
in his new movie,
"Elevator to Hell."

2088
01:21:05,800 --> 01:21:07,900
You'll need an agent
when his people call.

2089
01:21:07,933 --> 01:21:09,300
Sweet.

2090
01:21:09,333 --> 01:21:10,300
Thank you.

2091
01:21:10,333 --> 01:21:11,500
Roman, put that away.

2092
01:21:11,533 --> 01:21:13,400
Nancy, so great
to see you.

2093
01:21:13,433 --> 01:21:15,167
Like you.
Mwah.

2094
01:21:15,200 --> 01:21:16,900
I've so missed you.

2095
01:21:16,933 --> 01:21:18,200
Enjoy that show.

2096
01:21:18,233 --> 01:21:19,467
Peter, thank you!

2097
01:21:19,500 --> 01:21:20,467
Thank you!

2098
01:21:20,500 --> 01:21:21,867
Okay.
Good night.

2099
01:21:23,633 --> 01:21:25,433
I've got to call my dad.

2100
01:21:25,467 --> 01:21:27,067
Not a bad evening
for you.

2101
01:21:27,067 --> 01:21:29,300
The lead
in a Broadway musical,

2102
01:21:29,333 --> 01:21:31,167
Bart Liebowitz' new film,

2103
01:21:31,200 --> 01:21:33,267
and Nancy Diamond is
going to sign you.

2104
01:21:33,300 --> 01:21:35,067
Don't forget about
my date with Sophia.

2105
01:21:35,100 --> 01:21:36,933
And your date with Sophia.

2106
01:21:36,967 --> 01:21:38,433
Hey, Dad.

2107
01:21:38,467 --> 01:21:40,400
Dad, yeah, we're just heading
to the theater right now,

2108
01:21:40,433 --> 01:21:43,500
but I've got something I really
need to tell you and mom.

2109
01:21:43,533 --> 01:21:45,633
Hey, Jim.
Chappell.

2110
01:21:45,667 --> 01:21:49,133
We're even.

2111
01:21:49,167 --> 01:21:50,667
* Plastic please

2112
01:21:50,700 --> 01:21:53,667
**

2113
01:21:53,700 --> 01:21:55,800
* Plastic please

2114
01:21:55,833 --> 01:21:56,967
* Paper or plastic?

2115
01:21:57,067 --> 01:22:01,133
**

2116
01:22:05,500 --> 01:22:07,500
We're still good
with Monte, right?

2117
01:22:07,533 --> 01:22:11,733
Harris, would I
leave you hanging?

2118
01:22:11,767 --> 01:22:13,933
* Plastic please

2119
01:22:13,967 --> 01:22:15,367
(Spencer)
Wait, Emerson?

2120
01:22:15,400 --> 01:22:17,733
* Plastic please

2121
01:22:17,767 --> 01:22:18,867
Hey, Chappell!

2122
01:22:18,900 --> 01:22:20,800
**

2123
01:22:20,833 --> 01:22:22,833
* Plastic please

2124
01:22:22,867 --> 01:22:25,367
* Paper or plastic?

2125
01:22:25,400 --> 01:22:27,933
* Latex, nylon, Styrofoam,
bubblegum *

2126
01:22:27,967 --> 01:22:29,233
* Disposed as we leave

2127
01:22:29,267 --> 01:22:30,567
* Plastic please

2128
01:22:30,600 --> 01:22:32,500
* Cellular, cellulite,
Gore-Tex, Paperwhite *

2129
01:22:32,533 --> 01:22:34,100
* I'm in a color dream

2130
01:22:34,133 --> 01:22:35,300
* Plastic please

2131
01:22:35,333 --> 01:22:38,200
* Please, please, please
please, please *

2132
01:22:38,233 --> 01:22:41,400
(flatulence)

2133
01:22:41,433 --> 01:22:43,367
**

2134
01:22:43,400 --> 01:22:45,400
* Oh, happy day

2135
01:22:45,433 --> 01:22:48,167
* Oh, happy day

2136
01:22:48,200 --> 01:22:49,467
* Oh, happy day

2137
01:22:49,500 --> 01:22:51,833
* Oh, happy day

2138
01:22:51,867 --> 01:22:53,067
* When Jesus washed

2139
01:22:53,100 --> 01:22:55,333
* When Jesus washed

2140
01:22:55,367 --> 01:22:57,300
* Oh, when He washed

2141
01:22:57,333 --> 01:22:59,233
* When Jesus washed

2142
01:22:59,267 --> 01:23:01,133
* When Jesus washed

2143
01:23:01,167 --> 01:23:02,167
* When Jesus washed

2144
01:23:02,200 --> 01:23:04,067
* He washed my sins away

2145
01:23:04,067 --> 01:23:06,733
* Oh, happy day

2146
01:23:06,767 --> 01:23:08,067
* What a happy day

2147
01:23:08,067 --> 01:23:09,467
* Oh, happy day

2148
01:23:09,500 --> 01:23:12,067
* Oh, happy day

2149
01:23:12,100 --> 01:23:13,800
* Oh, happy day

2150
01:23:13,833 --> 01:23:15,133
* Oh, happy day

2151
01:23:15,167 --> 01:23:17,833
* Oh, happy day

2152
01:23:17,867 --> 01:23:19,233
* When Jesus washed

2153
01:23:19,267 --> 01:23:21,067
* When Jesus washed

2154
01:23:21,067 --> 01:23:22,800
* Oh, when He washed

2155
01:23:22,833 --> 01:23:25,167
* When Jesus washed

2156
01:23:25,200 --> 01:23:26,733
* When Jesus washed

2157
01:23:26,767 --> 01:23:27,800
* When Jesus washed

2158
01:23:27,833 --> 01:23:29,700
* He washed my sins away

2159
01:23:29,733 --> 01:23:31,533
* Oh, happy day

2160
01:23:31,567 --> 01:23:33,700
* Oh, what a happy day

2161
01:23:33,733 --> 01:23:35,333
* Oh, happy day

2162
01:23:35,367 --> 01:23:38,067
* He taught me how

2163
01:23:38,067 --> 01:23:40,100
* Taught me how

2164
01:23:40,133 --> 01:23:42,067
* To watch

2165
01:23:42,067 --> 01:23:44,867
* How to watch, fight
and pray *

2166
01:23:44,900 --> 01:23:46,833
Good God!
Oh, Lord!

2167
01:23:46,867 --> 01:23:49,067
* Fight and pray

2168
01:23:49,067 --> 01:23:50,267
* Oh ho

2169
01:23:50,300 --> 01:23:52,700
* And we're rejoicing

2170
01:23:52,733 --> 01:23:56,833
* And we're rejoicing

2171
01:23:56,867 --> 01:24:00,300
* Each and every day

2172
01:24:00,333 --> 01:24:01,800
Good God!
Oh, Lord!

2173
01:24:01,833 --> 01:24:03,233
* Every day

2174
01:24:03,267 --> 01:24:05,367
* Every day

2175
01:24:05,400 --> 01:24:06,833
* Oh, happy day

2176
01:24:06,867 --> 01:24:09,700
* Oh happy day

2177
01:24:09,733 --> 01:24:10,933
* Oh, happy day

2178
01:24:10,967 --> 01:24:13,267
* Oh, happy day

2179
01:24:13,300 --> 01:24:15,067
* Oh, happy day

2180
01:24:15,100 --> 01:24:16,500
* When Jesus washed

2181
01:24:16,533 --> 01:24:18,400
* Oh, happy day

2182
01:24:18,433 --> 01:24:20,200
* Oh, happy day

2183
01:24:20,233 --> 01:24:23,433
* Oh, it was a happy day

2184
01:24:23,467 --> 01:24:27,067
* It was a happy day, yeah

2185
01:24:27,067 --> 01:24:28,767
* I want to jump and shout

2186
01:24:28,800 --> 01:24:30,667
* Oh, happy day

2187
01:24:30,700 --> 01:24:32,767
* When Jesus washed
your sins away *

2188
01:24:32,800 --> 01:24:35,133
* Oh, happy day

2189
01:24:35,167 --> 01:24:36,267
* When I get to Heaven

2190
01:24:36,300 --> 01:24:38,367
* Oh, happy day

2191
01:24:38,400 --> 01:24:41,633
* Ain't gonna put me out, no

2192
01:24:41,667 --> 01:24:45,067
* Hold on
don't forget that day *

2193
01:24:45,100 --> 01:24:47,200
* Gonna be a happy day

2194
01:24:47,233 --> 01:24:49,500
* Oh, happy day

2195
01:24:49,533 --> 01:24:51,300
* Gonna see my mother there

2196
01:24:51,333 --> 01:24:53,233
* Oh, happy day

2197
01:24:53,267 --> 01:24:56,300
* Gonna see my father there

2198
01:24:56,333 --> 01:25:02,267
* Jesus came and washed
my sins away *

2199
01:25:02,300 --> 01:25:04,567
* Oh, happy day

2200
01:25:04,600 --> 01:25:08,567
* Oh, happy day

2201
01:25:08,600 --> 01:25:09,900
* Oh, happy day

2202
01:25:09,933 --> 01:25:12,100
* Oh, happy day

2203
01:25:12,133 --> 01:25:13,567
* When Jesus washed

2204
01:25:13,600 --> 01:25:15,233
* When Jesus washed

2205
01:25:15,267 --> 01:25:17,500
* Oh, when He washed

2206
01:25:17,533 --> 01:25:19,433
* When Jesus washed

2207
01:25:19,467 --> 01:25:20,967
* When Jesus washed

2208
01:25:21,067 --> 01:25:22,333
* When Jesus washed

2209
01:25:22,367 --> 01:25:24,367
* He washed my sins away

2210
01:25:24,400 --> 01:25:26,433
* Oh, happy day

2211
01:25:26,467 --> 01:25:28,100
* Oh, it was a happy day

2212
01:25:28,133 --> 01:25:30,233
* Oh, happy day

2213
01:25:30,267 --> 01:25:31,733
* It was a happy day

2214
01:25:31,767 --> 01:25:33,400
* Oh, happy day

2215
01:25:33,433 --> 01:25:35,333
Good Lord!
My God!

2216
01:25:35,367 --> 01:25:37,667
* Oh, happy day

2217
01:25:37,700 --> 01:25:39,200
* Oh, happy day

2218
01:25:39,233 --> 01:25:45,067
* Oh, happy day *